Cargando…
The music and music theory of Paul Hindemith /
The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationship to existing acoustic music theories. By ex...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge (Suffolk, England) :
The Boydell Press,
2018.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1020285709 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 180124t20182018enk ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDX |d N$T |d JSTOR |d OCLCF |d EBLCP |d IDB |d WAU |d OCLCQ |d EZ9 |d VLB |d UKMGB |d CAMBR |d K6U |d OCLCO |d OCLCQ |d OCLCO |d GUA |d UKAHL |d LUU |d OCLCQ |d OL$ |d OCLCO | ||
| 015 | |a GBB996517 |2 bnb | ||
| 016 | 7 | |a 019406522 |2 Uk | |
| 019 | |a 1020622609 |a 1020875915 |a 1112674058 | ||
| 020 | |a 9781787441835 |q (electronic bk.) | ||
| 020 | |a 1787441830 |q (electronic bk.) | ||
| 029 | 1 | |a AU@ |b 000062622941 | |
| 029 | 1 | |a AU@ |b 000065956280 | |
| 029 | 1 | |a UKMGB |b 019406522 | |
| 035 | |a (OCoLC)1020285709 |z (OCoLC)1020622609 |z (OCoLC)1020875915 |z (OCoLC)1112674058 | ||
| 037 | |a 22573/ctt1wwtb94 |b JSTOR | ||
| 043 | |a e-gx--- | ||
| 050 | 4 | |a ML410.H61 | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 072 | 7 | |a MUS041000 |2 bisacsh | |
| 072 | 7 | |a MUS007000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Desbruslais, Simon, |e author. | |
| 245 | 1 | 4 | |a The music and music theory of Paul Hindemith / |c Simon Desbruslais. |
| 264 | 1 | |a Woodbridge (Suffolk, England) : |b The Boydell Press, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationship to existing acoustic music theories. By examining different Unterweisung-versions, it charts the evolution of Hindemith's useof language and mode of communication, including his reference to polytonality, atonality, Fuxian species counterpoint, and avoidance of existing music for his examples. It also elaborates the sourcematerial on which the theory is based, using a reconstruction of Hindemith's personal library. Central to the book is the relationship of Hindemith's Unterweisung to his compositional practice. Hindemith's fascination with the challenges of music theory falls into a middle period in his oeuvre, enabling profitable comparisons with his compositional practice both before and after his theory-making. The book also comprises a detailed discussion of Hindemith's theoretical and compositional legacy. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith's theory have beenovertaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt. Simon Desbruslais is Lecturer in Music and Director of Performance at the University of Hull and an internationally acclaimed trumpet soloist. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Frontcover; Contents; List of Figures; List of Tables; List of Abbreviations; Preface; Acknowledgements; Introduction; 1 An Unterweisung Critical Commentary; 2 Hindemith's Fourths; 3 Stylistic Borrowing and Pre-Unterweisung Music; 4 The Ludus Tonalis as Quintessential Hindemith; 5 Theory-based Revisions; 6 Practical Music and Practical Textbooks; 7 The Hindemith Legacy; Postlude; Bibliography; Index. | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Hindemith, Paul, |d 1895-1963 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Hindemith, Paul, |d 1895-1963 |2 fast |
| 650 | 0 | |a Composers |z Germany. | |
| 650 | 0 | |a Music theory |y 20th century. | |
| 650 | 6 | |a Compositeurs |z Allemagne. | |
| 650 | 6 | |a Théorie musicale |y 20e siècle. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Composers |2 fast | |
| 650 | 7 | |a Music theory |2 fast | |
| 651 | 7 | |a Germany |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Desbruslais, Simon. |t Music and music theory of Paul Hindemith. |d Woodbridge : Boydell & Brewer Ltd. 2017 |z 9781783272105 |w (OCoLC)967838327 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt1wx92x8 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36198002 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5149693 | ||
| 938 | |a EBSCOhost |b EBSC |n 1636000 | ||
| 938 | |a YBP Library Services |b YANK |n 15106133 | ||
| 994 | |a 92 |b IZTAP | ||