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|a UAMI
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|a Moskovitz, Marc,
|e author.
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|a Beethoven's cello :
|b five revolutionary sonatas and their world /
|c Marc D. Moskovitz and R. Larry Todd.
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|a Woodbridge :
|b The Boydell Press,
|c 2017.
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|c ©2017
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|a 1 online resource (xxiv, 249 pages) :
|b illustrations, music
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|a text
|b txt
|2 rdacontent
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|a Includes bibliographical references (pages 203-238) and indexes.
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|a "In 1796 the young Beethoven presented his first two cello sonatas at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style. In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural context. Also considered in a series of interludes are Beethoven's three variation sets, his cello-centric 'Triple' Concerto, and arrangements for cello and piano of other works. Two other interludes address the cellos owned by Beethoven and the changing nature of his pianos. Featuring a preface by renowned cellist Steven Isserlis and concluding with translated reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire."--Jacket flap
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|a Print version record.
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|g 1
|t From Bonn to Berlin --
|g 2
|t Music fit for a king: the sonata in F major Op. 5 No. 1 (1796) --
|g 3
|t Tragic/comic masks: the sonata in G minor Op. 5 No. 2 (1796) --
|g 4
|t Themes and variations --
|g 5
|t Friendship, war, tears, and grief: the sonata in A major Op. 69 (1808) --
|g 6
|t Freedom and control: the sonata in C major Op. 102 No. 1 (1815) --
|g 7
|t 'Most remarkable and strange': the sonata in D major Op. 102 No. 2 (1815) --
|g 8
|t Opus Posthuman.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Beethoven, Ludwig van,
|d 1770-1827.
|t Sonatas,
|m cello, piano
|x Criticism and interpretation.
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|a Sonatas (Beethoven, Ludwig van)
|2 fast
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|a Beethoven, Ludwig van
|d 1770-1827
|2 gnd
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|a Beethoven, Ludwig van (1770-1827).
|t Sonates. Violoncelle, piano.
|2 ram
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|a Cello and piano music
|x Criticism and interpretation.
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|a Violoncelle et piano, Musique de
|x Critique et interprétation.
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|a MUSIC
|x Musical Instruments
|x Strings.
|2 bisacsh
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|a Cello and piano music
|2 fast
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|a Violoncellomusik
|2 gnd
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|a Sonate
|2 gnd
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|a Violoncello
|2 gnd
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|a Musique de chambre
|y 19e siècle
|x Histoire et critique.
|2 ram
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|a Criticism, interpretation, etc.
|2 fast
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|a Todd, R. Larry,
|e author.
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|i Print version:
|a Moskovitz, Marc.
|t Beethoven's cello.
|d Woodbridge : The Boydell Press, 2017
|z 1783272376
|w (OCoLC)981957950
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt1vgwbx0
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