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Textual distortion /
"Distortion" is nearly always understood as negative. It can be defined as perversion, impairment, caricature, corruption, misrepresentation, or deviation. Unlike its close neighbour, "disruption", it remains resolutely associated with the undesirable, the lost, or the deceptive....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
D.S. Brewer,
2017.
|
| Colección: | Essays and studies (London, England : 1950) ;
70. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Textual distortion / |c edited by Elaine Treharne and Greg Walker for the English Association. |
| 264 | 1 | |a Cambridge : |b D.S. Brewer, |c 2017. | |
| 264 | 4 | |c Ã2017 | |
| 300 | |a 1 online resource (xiii, 174 pages) : |b illustrations | ||
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| 490 | 1 | |a Essays and Studies ; |v 70 | |
| 520 | |a "Distortion" is nearly always understood as negative. It can be defined as perversion, impairment, caricature, corruption, misrepresentation, or deviation. Unlike its close neighbour, "disruption", it remains resolutely associated with the undesirable, the lost, or the deceptive. Yet it is also part of a larger knowledge system, filling the gap between the authentic event and its experience; it has its own ethics and practice, and it is necessarily incorporated in all meaningful communication. Need it always be a negative phenomenon? How does distortion affect producers, transmitters and receivers of texts? Are we always obliged to acknowledge distortion? What effect does a distortive process have on the intentionality, materiality and functionality, not to say the cultural, intellectual and market value, of all textual objects? The essays in this volume seek to address these questions. They range from the medieval through the early modern to contemporary periods and, throughout, deliberately challenge periodisation and the canonical. Topics treated include Anglo-Saxon manuscripts, Reformation documents and poems, Global Shakespeare, the Oxford English Dictionary, Native American spiritual objects, and digital tools for re-envisioning textual relationships. From the written to the spoken, the inhabited object to the remediated, distortion is demonstrated to demand a rich and provocative mode of analysis | ||
| 504 | |a Includes bibliographical reference and index (pages 167-174). | ||
| 505 | 0 | 0 | |t The curious production and reconstruction of Oxford, Bodleian Library, Junius 85 and 86 / |r Matthew Aiello -- |t Through a glass darkly, or, rethinking medieval materiality: a tale of carpets, screens, and parchment / |r Emma Cayley -- |t Distortion, ideology, time: proletarian aesthetics in the work of Lionel Britton / |r Aaron Kelly -- |t Shakespeare and Korea: mutual remappings / |r Daeyong (Dan) Kim -- |t Dictionary distortions / |r Sarah Ogilvie -- |t Where do Indigenous origin stories and empowered objects fit into a literary history of the American continent? / |r Timothy Powell -- |t Distortion in textual object facsimile production: a liability or an asset? / |r Giovanni Scorcionni -- |t The uncanny reformation: revenant texts and distorted time in Henrician England / |r Greg Walker -- |t The presence of the book / |r Claude Willan. |
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Criticism, Textual. | |
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| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Criticism, Textual. |2 fast |0 (OCoLC)fst00883762 | |
| 700 | 1 | |a Treharne, Elaine M., |e editor. | |
| 700 | 1 | |a Walker, Greg, |d 1959- |e editor. | |
| 710 | 2 | |a English Association. | |
| 776 | 0 | 8 | |i Print version: |t Textual distortion. |d Cambridge : D.S. Brewer, 2017 |z 1843844796 |w (OCoLC)990544336 |
| 830 | 0 | |a Essays and studies (London, England : 1950) ; |v 70. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt1wx93g1 |z Texto completo |
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