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|a UAMI
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|a Rewind, Play, Fast Forward :
|b the Past, Present and Future of the Music Video /
|c edited by Henry Keazor, Thorsten Wübbena.
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|a Bielefeld :
|b Transcript Verlag,
|c [2010]
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|c ©2010
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|a 1 online resource (280 pages) :
|b illustrations
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|a text
|b txt
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|a online resource
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|a text file
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|b PDF
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|a Kultur- und Medientheorie
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|t Frontmatter --
|t Contents --
|t Rewind -- Play -- Fast Forward /
|r Keazor, Henry ; Wübbena, Thorsten --
|t "Don't You Cry Tonight" /
|r Austerlitz, Saul --
|t The Genealogy of the Clip Culture /
|r Schmitt, Thomas --
|t Looking at Music /
|r London, Barbara --
|t "Pride and Prejudice" /
|r Di Marino, Bruno --
|t Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Videoand the Music( -TV- )Market /
|r Schmidt, Axel ; Neumann-Braun, Klaus --
|t An Analysis of the Relation between Music and Image /
|r Gabrielli, Giulia --
|t "Sense and Sensibility" /
|r Weiss, Matthias --
|t The Aesthetics of Music Videos: An Open Debate /
|r Peverini, Paolo --
|t Liquid Cosmos /
|r Frahm, Laura --
|t Who Cares about the Music in Music Videos? /
|r Jacke, Christoph --
|t Get the Cut /
|r Lund, Cornelia ; Lund, Holger --
|t "Why Artists Make Clips" /
|r Krause-Wahl, Antje --
|t "It's the End of Music Videos as we Know them (but we Feel Fine)" /
|r Sibilla, Gianni --
|t Music Video and YouTube: New Aesthetics and Generic Transformations /
|r Vernallis, Carol --
|t About the Editors --
|t About the Authors --
|t Index.
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|a Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that despite the fact that the music video obviously has come of age, they still lack a well defined and matching methodical approach for analyzing and discussing videoclips. For the first time this volume brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future.
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|a Henry Keazor (Prof. Dr.) has the Chair in Art History at Heidelberg University. His research fields are Art of the Early Modern Era (French and Italian Baroque Painting), Film, Media, Music Video and Contemporary Architecture (Jean Nouvel). Thorsten Wübbena (M.A.) works at the Art Historical Institute of Frankfurt University. His main interests are New Media (esp. Music Video) and Database Systems in Art Historical Research.
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|a In English.
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0 |
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|a Online resource; title from PDF title page (publisher's Web site, viewed October 7 2015).
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|a Includes bibliographical references and index.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Music videos
|x History and criticism.
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|a Vidéoclips
|x Histoire et critique.
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|a SOCIAL SCIENCE / Media Studies
|2 bisacsh
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|a Music videos
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Keazor, Henry,
|e editor.
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700 |
1 |
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|a Wübbena, Thorsten,
|e editor.
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776 |
0 |
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|i Print version:
|a Keazor, Henry.
|t Rewind, Play, Fast Forward : The Past, Present and Future of the Music Video.
|d Bielefeld : transcript Verlag, ©2010
|z 9783837611854
|
830 |
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|a Kultur- und Medientheorie.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371brsb
|z Texto completo
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