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Nazi exhibition design and modernism /
"While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tym...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tymkiw, Michael, |d 1972- |e author. | |
| 245 | 1 | 0 | |a Nazi exhibition design and modernism / |c Michael Tymkiw. |
| 263 | |a 1803 | ||
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 520 | |a "While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship.""-- |c Provided by publisher. | ||
| 500 | |a Outgrowth of the author's thesis (doctoral--University of Chicago, 2014) under the title: National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; Contents; Introduction:Experimental Exhibition Design under National Socialism; Part I. Entangled in Debates on Modern Art and Architecture; 1. Falling into Line: Three Early Experiments in Visualizing Collectivity Formation; 2. Reconfiguring Expressionism: Otto Andreas Schreiber and the Mass Production of Factory Exhibitions; Part II. The Persistence of Formal Dialectics; 3. Photomurals after: Pressa; 4. Fragmentation and the: "Jewish- Bolshevist Enemy"; Epilogue: German Exhibition Design after National Socialism; Acknowledgments; Notes. | |
| 505 | 8 | |a IndexA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Art |x Exhibition techniques |x Social aspects. | |
| 650 | 0 | |a Art exhibition audiences |z Germany |x History |y 20th century. | |
| 650 | 0 | |a National socialism and art. | |
| 650 | 0 | |a Modernism (Aesthetics) |z Germany |x History |y 20th century. | |
| 650 | 6 | |a Art |x Techniques d'exposition |x Aspect social. | |
| 650 | 6 | |a Art |x Expositions |x Publics |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Nazisme et art. | |
| 650 | 6 | |a Modernisme (Esthétique) |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART |x Art & Politics. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x Modern (late 19th Century to 1945) |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Europe |x Germany. |2 bisacsh | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a Art exhibition audiences |2 fast | |
| 650 | 7 | |a Modernism (Aesthetics) |2 fast | |
| 650 | 7 | |a National socialism and art |2 fast | |
| 651 | 7 | |a Germany |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Tymkiw, Michael, 1972- |t Nazi exhibition design and modernism. |d Minneapolis : University of Minnesota Press, 2018 |z 9781517900564 |w (DLC) 2017056082 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5749/j.ctvvnfk2 |z Texto completo |
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