Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert /

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"This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, end...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Hatten, Robert S. (Author)
Format: Electronic eBook
Language:Inglés
Published: Bloomington, IN : Indiana University Press, 2004.
Series:Musical meaning and interpretation.
Subjects:
Mozart, Wolfgang Amadeus, > 1756-1791 > Criticism and interpretation.
Beethoven, Ludwig van, > 1770-1827 > Criticism and interpretation.
Schubert, Franz, > 1797-1828 > Criticism and interpretation.
Mozart, Wolfgang Amadeus, > 1756-1791 > Critique et interprétation.
Beethoven, Ludwig van, > 1770-1827 > Critique et interprétation.
Schubert, Franz, > 1797-1828 > Critique et interprétation.
Beethoven, Ludwig van, > 1770-1827
Mozart, Wolfgang Amadeus, > 1756-1791
Schubert, Franz, > 1797-1828
Beethoven, Ludwig ((van))
Mozart, Wolfgang Amadeus.
Schubert, Franz.
Music > Semiotics.
Sémiotique et musique.
MUSIC > Instruction & Study > Theory.
Music > Semiotics
Musikalische Semiotik
Muziek.
Interpretatie.
Semiotiek.
Criticism, interpretation, etc.
Online Access:Texto completo
Table of Contents:
  • Markedness, topics, and tropes
  • Musical gesture
  • Continuity and discontinuity.

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