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Creating distinctions in Dutch genre painting : repetition and invention /
In the mid-to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative u...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2017]
|
| Colección: | Visual and material culture, 1300-1700 ;
1. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Ho, Angela K., |e author. | |
| 245 | 1 | 0 | |a Creating distinctions in Dutch genre painting : |b repetition and invention / |c Angela K. Ho. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2017] | |
| 264 | 4 | |c Ã2017 | |
| 300 | |a 1 online resource (253 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Visual and Material Culture, 1300-1700 ; |v 1 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a In the mid-to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 14, 2017). | |
| 505 | 0 | |a Table of Contents; List of Illustrations; Acknowledgments; Introduction; 1. Key Concepts; 2. A Niche of One's Own: Gerrit Dou's Brand-Building Project; 3. The Pleasure of Novelty: Gerard ter Borch's Innovation; 4. Invention through Repetition: Imitation and Emulation in the Work of Frans van Mieris; Epilogue: On Signature Products, Knock-Offs, and Product Lines; Notes; Bibliography; Index. | |
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Genre painting, Dutch |y 17th century. | |
| 650 | 0 | |a Painting, Dutch |y 17th century. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Genre painting, Dutch. |2 fast |0 (OCoLC)fst00940246 | |
| 650 | 7 | |a Painting, Dutch. |2 fast |0 (OCoLC)fst01050779 | |
| 648 | 7 | |a 1600-1699 |2 fast | |
| 653 | |a Dutch Genre Painting, Repetition, Innovation, Collecting, Art Market. | ||
| 776 | 0 | 8 | |i Print version: |z 9789048532940 |
| 830 | 0 | |a Visual and material culture, 1300-1700 ; |v 1. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1v2xsvq |z Texto completo |
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