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Animalities : literary and cultural studies beyond the human /

Representations of animality continue to proliferate in various kinds of literary and cultural texts. This pioneering volume explores the critical interface between animal and animality studies, marking out the terrain in relation to twentieth-century literature and film. The range of texts consider...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Lundblad, Michael (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press Ltd, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Animalities :  |b literary and cultural studies beyond the human /  |c edited by Michael Lundblad. 
264 1 |a Edinburgh :  |b Edinburgh University Press Ltd,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (vi, 248 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 0 |t Introduction : the end of the animal : literary and cultural animalities /  |r Michael Lundblad --  |t Each time unique : the poetics of extinction /  |r Cary Wolfe --  |t Posthuman New York : ground zero of the anthropocene /  |r Neel Ahuja --  |t J.G. Ballard's Dark Ecologies : unsettling nature, animals, and literary tropes /  |r Frida Beckman --  |t Staging humanimality : Patricia Piccinini and a genealogy of species intermingling /  |r Sara E.S. Orning --  |t "Sparks would fly" : electricity and the spectacle of animality /  |r Anat Pick --  |t The nature of birds, women, and cancer : Terry Tempest Williams's Refuge and When Women Were Birds /  |r Michael Lundblad --  |t Animality, biopolitics, and Umwelt in Amitav Ghosh's The Hungry Tide /  |r Robin Chen-Hsing Tsai --  |t Looking the beast in the eye : re-animating meat in Nordic and British food culture /  |r Karen Lykke Syse --  |t Love triangle with dog : Whym Chow, the "Michael Fields," and the poetic potential of human-animal bonds /  |r Colleen Glenney Boggs --  |t Bestial humans and sexual animals : zoophilia in law and literature /  |r Greg Garrard. 
588 0 |a Print version record. 
520 |a Representations of animality continue to proliferate in various kinds of literary and cultural texts. This pioneering volume explores the critical interface between animal and animality studies, marking out the terrain in relation to twentieth-century literature and film. The range of texts considered here is intentionally broad, answering questions like, how do contemporary writers such as Amitav Ghosh, Terry Tempest Williams, and Indra Sinha help us to think about not only animals but also humans as animals? What kinds of creatures are being constructed by contemporary artists such as Patricia Piccinini, Alexis Rockman, and Michael Pestel? How do 'animalities' animate such diverse texts as the poetry of two women publishing under the name of 'Michael Field', or an early film by Thomas Edison depicting the electrocution of a circus elephant named Topsy? Connecting these issues to fields as diverse as environmental studies and ecocriticism, queer theory, gender studies, feminist theory, illness and disability studies, postcolonial theory, and biopolitics, the volume also raises further questions about disciplinarity itself, while hoping to inspire further work 'beyond the human' in future interdisciplinary scholarship. New and cutting-edge work in animality studies, human-animal studies, and posthumanism. Representations of animality continue to proliferate in various kinds of literary and cultural texts. This pioneering volume explores the critical interface between animal and animality studies, marking out the terrain in relation to twentieth-century literature and film. The range of texts considered here is intentionally broad, answering questions like, how do contemporary writers such as Amitav Ghosh, Terry Tempest Williams, and Indra Sinha help us to think about not only animals but also humans as animals? What kinds of creatures are being constructed by contemporary artists such as Patricia Piccinini, Alexis Rockman, and Michael Pestel? How do ÃǾ²Ơ℗animalities' animate such diverse texts as the poetry of two women publishing under the name of ÃǾ²Ơ℗Michael Field', or an early film by Thomas Edison depicting the electrocution of a circus elephant named Topsy? Connecting these issues to fields as diverse as environmental studies and ecocriticism, queer theory, gender studies, feminist theory, illness and disability studies, postcolonial theory, and biopolitics, the volume also raises further questions about disciplinarity itself, while hoping to inspire further work ÃǾ²Ơ℗<U+0065><U+0079><U+006F><U+006E><U+0064> <U+0074><U+0068><U+0065> <U+0068><U+0075><U+006D><U+0061><U+006E><U+0027> <U+0069><U+006E> <U+0066><U+0075><U+0074><U+0075><U+0072><U+0065> <U+0069><U+006E><U+0074><U+0065><U+0072><U+0064><U+0069><U+0073><U+0063><U+0069><U+0070><U+006C><U+0069><U+006E><U+0061><U+0072><U+0079> <U+0073><U+0063><U+0068><U+006F><U+006C><U+0061><U+0072><U+0073><U+0068><U+0069><U+0070><U+002E> <U+004B><U+0065><U+0079> <U+0046><U+0065><U+0061><U+0074><U+0075><U+0072><U+0065><U+0073><U+002E> ₁₀ <U+0070><U+0072><U+006F><U+0076><U+006F><U+0063><U+0061><U+0074><U+0069><U+0076><U+0065> <U+0063><U+0061><U+0073><U+0065> <U+0073><U+0074><U+0075><U+0064><U+0069><U+0065><U+0073> <U+0066><U+006F><U+0063><U+0075><U+0073><U+0065><U+0064> <U+006F><U+006E> <U+0072><U+0065><U+0070><U+0072><U+0065><U+0073><U+0065><U+006E><U+0074><U+0061><U+0074><U+0069><U+006F><U+006E><U+0073> <U+0061><U+006E><U+0064> <U+0064><U+0069><U+0073><U+0063><U+006F><U+0075><U+0072><U+0073><U+0065><U+0073> <U+006F><U+0066> <U+0061><U+006E><U+0069><U+006D><U+0061><U+006C><U+0073> <U+0061><U+006E><U+0064> <U+0061><U+006E><U+0069><U+006D><U+0061><U+006C><U+0069><U+0074><U+0079> <U+0069><U+006E> <U+0074><U+0077><U+0065><U+006E><U+0074><U+0069><U+0065><U+0074><U+0068>₋ <U+0061><U+006E><U+0064> <U+0074><U+0077><U+0065><U+006E><U+0074><U+0079>₋<U+0066><U+0069><U+0072><U+0073><U+0074>₋<U+0063><U+0065><U+006E><U+0074><U+0075><U+0072><U+0079> <U+006C><U+0069><U+0074><U+0065><U+0072><U+0061><U+0074><U+0075><U+0072><U+0065><U+002C> <U+0061><U+0072><U+0074><U+002C> <U+0061><U+006E><U+0064> <U+0066><U+0069><U+006C><U+006D> <U+0069><U+006E> <U+0045><U+006E><U+0067><U+006C><U+0069><U+0073><U+0068> <U+004E><U+0065><U+0077> <U+0077><U+006F><U+0072><U+006B> <U+0066><U+0072><U+006F><U+006D> <U+0062><U+006F><U+0074><U+0068> <U+0069><U+006E><U+0074><U+0065><U+0072><U+006E><U+0061><U+0074><U+0069><U+006F><U+006E><U+0061><U+006C><U+006C><U+0079> <U+0072><U+0065><U+006E><U+006F><U+0077><U+006E><U+0065><U+0064> <U+0061><U+006E><U+0064> <U+0065><U+006D><U+0065><U+0072><U+0067><U+0069><U+006E><U+0067> <U+0066><U+0069><U+0067><U+0075><U+0072><U+0065><U+0073> <U+0069><U+006E> <U+0074><U+0068><U+0065> <U+0062><U+0075><U+0072><U+0067><U+0065><U+006F><U+006E><U+0069><U+006E><U+0067> <U+0066><U+0069><U+0065><U+006C><U+0064><U+0073> <U+006F><U+0066> <U+0061><U+006E><U+0069><U+006D><U+0061><U+006C><U+0069><U+0074><U+0079> <U+0073><U+0074><U+0075><U+0064><U+0069><U+0065><U+0073><U+002C> <U+0068><U+0075><U+006D><U+0061><U+006E>₋<U+0061><U+006E><U+0069><U+006D><U+0061><U+006C> <U+0073><U+0074><U+0075><U+0064><U+0069><U+0065><U+0073><U+002C> <U+0061><U+006E><U+0064> <U+0070><U+006F><U+0073><U+0074><U+0068><U+0075><U+006D><U+0061><U+006E><U+0069><U+0073><U+006D><U+002C> <U+0073><U+0075><U+0067><U+0067><U+0065><U+0073><U+0074><U+0069><U+006E><U+0067> <U+0069><U+006E><U+006E><U+006F><U+0076><U+0061><U+0074><U+0069><U+0076><U+0065> <U+0061><U+006E><U+0064> <U+0073><U+0069><U+0067><U+006E><U+0069><U+0066><U+0069><U+0063><U+0061><U+006E><U+0074> <U+006E><U+0065><U+0077> <U+0064><U+0069><U+0072><U+0065><U+0063><U+0074><U+0069><U+006F><U+006E><U+0073> <U+0074><U+006F> <U+0065><U+0078><U+0070><U+006C><U+006F><U+0072><U+0065> <U+0042><U+0072><U+006F><U+0061><U+0064> <U+0069><U+006E><U+0074><U+0072><U+006F><U+0064><U+0075><U+0063><U+0074><U+0069><U+006F><U+006E> <U+0074><U+006F> <U+0074><U+0068><U+0065> <U+006B><U+0069><U+006E><U+0064><U+0073> <U+006F><U+0066> <U+0071><U+0075><U+0065><U+0073><U+0074><U+0069><U+006F><U+006E><U+0073> <U+0073><U+0063><U+0068><U+006F><U+006C><U+0061><U+0072><U+0073> <U+0069><U+006E> <U+0074><U+0068><U+0065> <U+0068><U+0075><U+006D><U+0061><U+006E><U+0069><U+0074><U+0069><U+0065><U+0073> <U+0068><U+0061><U+0076><U+0065> <U+0063><U+006F><U+006E><U+0073><U+0069><U+0064><U+0065><U+0072><U+0065><U+0064> <U+0069><U+006E> <U+0072><U+0065><U+006C><U+0061><U+0074><U+0069><U+006F><U+006E> <U+0074><U+006F> <U+0061><U+006E><U+0069><U+006D><U+0061><U+006C><U+0073> <U+0061><U+006E><U+0064> <U+0061><U+006E><U+0069><U+006D><U+0061><U+006C><U+0069><U+0074><U+0079> 
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650 0 |a Animals in literature. 
650 0 |a Human-animal relationships in literature. 
650 0 |a Animals in motion pictures. 
650 0 |a Human-animal relationships in motion pictures. 
650 6 |a Animaux dans la littérature. 
650 6 |a Relations homme-animal dans la littérature. 
650 6 |a Animaux au cinéma. 
650 6 |a Relations homme-animal au cinéma. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a Animals in literature  |2 fast 
650 7 |a Animals in motion pictures  |2 fast 
650 7 |a Human-animal relationships in literature  |2 fast 
650 7 |a Human-animal relationships in motion pictures  |2 fast 
700 1 |a Lundblad, Michael,  |e editor. 
776 0 8 |i Print version:  |t Animalities.  |d Edinburgh : Edinburgh University Press Ltd, [2017]  |z 9781474400022  |w (OCoLC)990168771 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1pwt2mn  |z Texto completo 
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