Unbecoming cinema : unsettling encounters with ethical event films /

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Unbecoming Cinema explores the notion of cinema as a living, active agent, capable of unsettling and reconfiguring a person's thoughts, senses, and ethics. Film, according to David H. Fleming, is a dynamic force, arming audiences with the ability to see and make a difference in the world. Drawi...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Fleming, David H. (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Bristol, UK : Chicago, IL : Intellect ; Intellect/The University of Chicago Press, [2017]
Sujets:
Sensationalism in motion pictures.
Motion pictures > Psychological aspects.
Taboo in motion pictures.
Experimental films > History and criticism.
Motion pictures > Moral and ethical aspects.
Sensationnalisme au cinéma.
Tabou au cinéma.
Cinéma > Aspect moral.
The arts.
Film, TV and radio.
Films, cinema.
LANGUAGE ARTS & DISCIPLINES > General.
PERFORMING ARTS > General.
ART > Film & Video.
Experimental films.
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: on ethics and evental encounters
  • Part I. Exposing and revealing
  • Death 24X a haecceity: or Deleuze, life and the ethico-aesthetics of documenting suicide in (and off) The bridge
  • Cinema and/as autism: disorder-ing movements from the intellect to intuition, ego to the eco, and 'pre-chunked' perception to in-forming haecceitic 'shapes' (via Deligny and Guattari)
  • Part II. Distorting and perverting
  • Head cinema as body without organs: on Jodorowsky's Bitter Pill films and their Spinozian parallels
  • That's 'really' sick: pervert horror, torture porn(ology), bad-taste and emetic affect in Lucifer Valentine's Unbecoming 'Cinema of repulsions.'

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