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A goddess in motion : visual creativity in the cult of María Lionza /

The current practice of the cult of Maria Lionza is one of the most important and yet unexplored religious practices in Venezuela. Based on long-term fieldwork, this book explores the role of images and visual culture within the cult. By adopting a relational approach, it shows how the innumerable i...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Canals, Roger, 1980- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Berghahn Books, 2017.
Colección:New directions in anthropology ; v. 42.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Canals, Roger,  |d 1980-  |e author. 
245 1 2 |a A goddess in motion :  |b visual creativity in the cult of María Lionza /  |c Roger Canals. 
264 1 |a New York :  |b Berghahn Books,  |c 2017. 
300 |a 1 online resource (ix, 202 pages) 
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490 1 |a New directions in anthropology ;  |v Volume 42 
504 |a Includes bibliographical references and index. 
505 0 |a Who is María Lionza? -- The cult of María Lionza -- The ritual image -- Between art and religion -- Bodies, dreams and apparitions -- A globalized goddess -- A network of images. 
520 8 |a The current practice of the cult of Maria Lionza is one of the most important and yet unexplored religious practices in Venezuela. Based on long-term fieldwork, this book explores the role of images and visual culture within the cult. By adopting a relational approach, it shows how the innumerable images of this goddess -represented as an Indian, white or mixed-race woman- move constantly from objects to bodies, from bodies to dreams, and from the religion domain to the art world. In short, this book is a fascinating essay that sheds light on the role of visual creativity in contemporary religious manifestations. 
588 0 |a Online resource; title from digital title page (viewed on October 20, 2017). 
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600 1 0 |a Lionza, María  |v Art. 
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651 0 |a Venezuela  |x Religious life and customs. 
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830 0 |a New directions in anthropology ;  |v v. 42. 
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