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|a Lloyd, David,
|d 1955 December 20-
|e author.
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|a Beckett's thing :
|b painting and theatre /
|c David Lloyd.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2016]
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|c ©2016
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|a 1 online resource
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|a Other Becketts
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|a Beckett's Thing; Copyright; Contents; Figures; Acknowledgements; Other Becketts: Series Preface General Editor: S.E. Gontarski, Florida State University; Introduction: The Painted Stage -- Beckett's Visual Aesthetics; 1 Republics of Difference: Yeats, MacGreevy, Beckett; 2 Beckett's Thing: Bram van Velde and the Gaze; 3 'Siege laid again': Arikha's Gaze, Beckett's Painted Stage; Conclusion: The Play's the Thing; Bibliography; Index.
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|a Includes bibliographical references (pages 237-245) and index.
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|a Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett́⁰₉s visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett́⁰₉s fascination with these painters illuminates the ́⁰painterlý⁰₉ qualities of his theatre and the philosophical, political and aesthetic implications of Beckett́⁰₉s highly visual dramatic work.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Beckett, Samuel,
|d 1906-1989
|x Criticism and interpretation.
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|a Beckett, Samuel,
|d 1906-1989.
|2 fast
|0 (OCoLC)fst00035621
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|z 9781474415729
|z 1474415725
|w (OCoLC)946009973
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|a Other Becketts.
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1g0518f
|z Texto completo
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