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161209s2016 paua ob 000 0 eng d |
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|a DEGRU
|b eng
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|c DEGRU
|d OCLCQ
|d JSTOR
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|a 968703019
|a 980240736
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|a 9781512808872
|q (electronic bk.)
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|a 1512808873
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|a 10.9783/9781512808872
|2 doi
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|b BV043980294
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|a (OCoLC)979581771
|z (OCoLC)968703019
|z (OCoLC)980240736
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|a 22573/ctv4rv5r5
|b JSTOR
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|a 813
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|a UAMI
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|a Williams, Susan S.
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|a Confounding Images :
|b Photography and Portraiture in Antebellum American Fiction /
|c Susan S. Williams.
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|a Philadelphia, Pa. :
|b University of Pennsylvania Press,
|c [2016]
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|c ©1997
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|a 1 online resource :
|b 27 illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t List of Illustrations --
|t Preface --
|t Introduction: Confounding Images --
|t 1. The Portrait and the Social Construction of Ekphrasis --
|t 2. "The Inconstant Daguerreotype": The Narrative of Early Photography --
|t 3. The Haunted Portrait and Models of Authorship in Periodicals and Gift Books --
|t 4. Hawthorne, Daguerreotypy, and The House of the Seven Gables --
|t 5. Melville's Pierre and the Burden of Imitation --
|t 6. The Photography of Travel: Reading The Marble Faun --
|t Afterword: Photography and Portraiture in the Later Nineteenth Century --
|t Notes --
|t Bibliography --
|t Index
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|a Susan Williams recovers the literary and cultural significance of early photography in an important rereading of American fiction in the decades preceding the Civil War. The rise of photography occurred simultaneously with the rapid expansion of magazine publication in America, and Williams analyzes the particular role that periodicals such as Godey's Lady's Book, Burton's Gentleman's Magazine, and Atkinson's Casket played in defining how photography was received. At the center of the book are readings of a stunning array of fiction by forgotten and canonical writers alike, including Edgar Allan Poe, Louisa May Alcott, and Sarah Hale, as well as extended interpretations of Nathaniel Hawthorne's House of the Seven Gables and The Marble Faun and Herman Melville's Pierre. In a concluding section, Williams offers a view of the fictional portrait in the later nineteenth century, when the proliferation of illustrated books once again transformed the relation between word and image in American culture.
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|a In English.
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|a Online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016).
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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1 |
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|a Hawthorne, Nathaniel,
|d 1804-1864.
|t House of the seven gables.
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600 |
1 |
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|a Hawthorne, Nathaniel,
|d 1804-1864.
|t Marble faun.
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600 |
1 |
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|a Melville, Herman,
|d 1819-1891.
|t Pierre.
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630 |
0 |
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|a House of the seven gables (Hawthorne, Nathaniel)
|2 fast
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630 |
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|a Marble faun (Hawthorne, Nathaniel)
|2 fast
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|a Pierre (Melville, Herman)
|2 fast
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650 |
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|a American fiction
|y 19th century
|x History and criticism.
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650 |
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|a Literature and photography
|z United States
|x History
|y 19th century.
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650 |
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|a Portrait photography
|z United States
|x History
|y 19th century.
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650 |
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|a Art and literature
|z United States
|x History
|y 19th century.
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650 |
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|a Ekphrasis.
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650 |
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|a Roman américain
|y 19e siècle
|x Histoire et critique.
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650 |
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|a Littérature et photographie
|z États-Unis
|x Histoire
|y 19e siècle.
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650 |
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6 |
|a Portraits (Photographie)
|z États-Unis
|x Histoire
|y 19e siècle.
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650 |
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6 |
|a Art et littérature
|z États-Unis
|x Histoire
|y 19e siècle.
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650 |
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|a Ekphrasis.
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650 |
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|a ekphrasis.
|2 aat
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a American fiction
|2 fast
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|a Art and literature
|2 fast
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|a Ekphrasis
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|a Literature and photography
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|a Portrait photography
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|a United States
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|a 1800-1899
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|a Criticism, interpretation, etc.
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|a History
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|i Print version:
|z 9780812233971
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv4s7gxj
|z Texto completo
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|a De Gruyter
|b DEGR
|n 9781512808872
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|a 92
|b IZTAP
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