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British rural landscapes on film /
Offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2016.
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| Colección: | Manchester Film Studies
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: approaching British rural landscapes on film
- Paul Newland 1 Silent landscapes: rural settings, national identity and British silent cinema
- Andrew Higson 2 British landscapes in pre-Second World War film publicity
- Paul Moody 3 Rural imagery in World War Two British cinema
- Tom Ryall 4 'An unlimited field for experiment': Britain's stereoscopic landscapes
- Keith M. Johnston 5 The figure (and disfigurement) in the landscape: The Go-Between's picturesque
- Mark Broughton 6 'Here is Wales, there England': Contested borders and blurred boundaries in On the Black Hill
- Kate Woodward 7 Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema
- Duncan Petrie 8 Fantasy, fallacy and allusion: reconceptualizing British landscapes through the lens of children's cinema
- Suzanne Speidel 9 Picturesque, pastoral and dirty: uncivilised topographies in Jane Eyre and Wuthering Heights
- Stella Hockenhull 10 Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw
- Paul Newland 11 sleep furiously: interview with Gideon Koppel
- Paul Newland 12 Film and the repossession of rural space: interview with Patrick Keiller
- Paul Newland Index.