Performing whitely in the postcolony : Afrikaners in South African theatrical and public life /

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Lewis, Megan, 1968- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Iowa City : University of Iowa Press, [2016]
Collection:Studies in theatre history and culture
Sujets:
Fürstliches Schauspielhaus.
2000-2099
Theater > South Africa.
Performing arts > South Africa.
Afrikaners in literature.
White people in literature.
Race relations in literature.
Afrikaners > Race identity > South Africa.
White people > Race identity > South Africa.
Théâtre > Afrique du Sud.
Arts du spectacle > Afrique du Sud.
Relations raciales dans la littérature.
Afrikaners > Identité ethnique > Afrique du Sud.
PERFORMING ARTS > Theater > General.
PERFORMING ARTS > Theater > History & Criticism.
Afrikaners > Race identity.
Performing arts.
Social conditions.
Theater.
White people > Race identity.
Buren > Motiv
Ethnische Identität
Literatur
South Africa > Social conditions > 21st century.
Afrique du Sud > Conditions sociales > 21e siècle.
South Africa.
Südafrika
Accès en ligne:Texto completo
Table des matières:
  • Preface: stakes of performance and race, north and south
  • Introduction: whiteness in the global imaginary
  • Laagers of whiteness: Afrikaner ascendency and the staging of a nation
  • Rehearsing a white nation: Afrikaner performances of volk identity (1904-2009)
  • Hyphens of humanity: whiteness and nostalgia in the work of Deon Opperman
  • Queering Afrikanerdom: the performative maneuvers of Pieter-Dirk Uys
  • Abject Afrikaner, iconoclast trekker: Peter van Heerden's performance interventions within the laagers of white masculinity
  • Vuilgeboosted gangstas and romanties Afrikaner rappers: the zef whiteness of Die Antwoord and Jack Parow
  • conclusion.

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