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Graphic borders : Latino comic books past, present, and future /

<P>From the influential work of Los Bros Hernandez in <em>Love & Rockets</em>, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Aldama, Frederick Luis, 1969- (Editor ), González, Christopher (Editor )
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2016.
Edición:First edition.
Colección:World comics and graphic nonfiction series.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Graphic borders :  |b Latino comic books past, present, and future /  |c edited by Frederick Luis Aldama and Christopher González. 
250 |a First edition. 
264 1 |a Austin :  |b University of Texas Press,  |c 2016. 
300 |a 1 online resource (x, 304 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a The world comics and graphic nonfiction series 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed September 7, 2016). 
505 0 |a Taking Back Control of Our Story Space:A Foreword (Frank Espinosa); Latino Comic Books Past, Present, and Future-A Primer (Frederick Luis Aldama and Christopher González); Part I. Alternativas; 1. Out of Sequence: Time and Meaning in Los Bros Hernandez Patrick L. Hamilton; 2. Recreative Graphic Novel Acts in Gilbert Hernandez's Twenty-First-Century Neo-Noirs (Frederick Luis Aldama); 3. Three Decades with Gilbert and Jaime Hernandez: An Odyssey by Interview (Christopher González); Part II. Cuerpo Comics. 
505 8 |a 4. Biographic Challenges: Wilfred Santiago's 21: The Story of Roberto Clemente (Christopher González)5. Wrestling with Comic Genres and Genders: Luchadores as Signifiers in Sonambulo and Locas (Ellen M. Gil-Gómez); Part III. Tortilla Strips; 6. Latino Identity and the Market: Making Sense of Cantú and Castellanos's Baldo (Héctor Fernández L'Hoeste); 7. The Archeology of the Post-social in the Comics of Lalo Alcaraz: La Cucaracha and Migra Mouse: Political Cartoonson Immigration (Juan Poblete); 8. My Debt to Rius (Ilan Stavans); Part IV. A Bird, a Plane ... Straight and Queer Super-Lats. 
505 8 |a 9. The Alien Is Here to Stay: Otherness, Anti-Assimilation, and Empowerment in Latino/a Superhero Comics Mauricio Espinoza10. Anya Sofía (Araña) Corazón: The Inner Webbings and Mexi-Ricanization of Spider- Girl (Isabel Millán); 11. Revealing Secret Identities: Gay Latino Superheroes and the Necessity of Disclosure (Richard T. Rodríguez); Part V. Multiverses, Admixtures, and More; 12. Everybody Wants to Rule the Multiverse: Latino Spider-Men in Marvel's Media Empire (Kathryn M. Frank); 13. Mapping the Blatino Badlands and Borderlands of American Pop Culture (Adilifu Nama and Maya Haddad). 
505 8 |a 14. The Paradox of Miles Morales:Social Gatekeeping and the Browningof America's Spider-Man (Brian Montes)Works Cited; Contributor Notes; Index. 
520 |a <P>From the influential work of Los Bros Hernandez in <em>Love & Rockets</em>, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to express Latino identity and culture. Indeed, Latino fiction and nonfiction narratives are rapidly proliferating in graphic media as diverse and varied in form and content as is the whole of Latino culture today.</p><p><em>Graphic Borders</em> presents the most thorough exploration of comics by and about Latinos currently available. Thirteen essays and one interview by eminent and rising scholars of comics bring to life this exciting graphic genre that conveys the distinctive and wide-ranging experiences of Latinos in the United States. The contributors? exhilarating excavations delve into the following areas: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends. Taken as a whole, the book unveils the resplendent riches of comics by and about Latinos and proves that there are no limits to the ways in which Latinos can be represented and imagined in the world of comics.</p> 
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650 0 |a Comic books, strips, etc.  |z Latin America  |x Criticism and interpretation. 
651 0 |a Latin America  |x History  |v Comic books, strips, etc. 
650 0 |a Comic books, strips, etc.  |x Social aspects  |z Latin America. 
650 0 |a Popular culture  |z Latin America. 
651 6 |a Amérique latine  |x Histoire  |v Bandes dessinées. 
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651 7 |a Latin America  |2 fast 
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655 7 |a Comics (Graphic works)  |2 fast 
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700 1 |a Aldama, Frederick Luis,  |d 1969-  |e editor. 
700 1 |a González, Christopher,  |e editor. 
776 0 8 |i Print version:  |t Graphic borders.  |b First edition.  |d Austin : University of Texas Press, 2016  |z 9781477309148  |z 1477309144  |w (DLC) 2015033633  |w (OCoLC)920966195 
830 0 |a World comics and graphic nonfiction series. 
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