Photography after photography : gender, genre, and history /

In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they s...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Solomon-Godeau, Abigail (Auteur)
Autres auteurs: Parsons, Sarah (Sarah Caitlin), 1971- (Éditeur intellectuel)
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2017.
Sujets:
Photography, Artistic.
Photography > Philosophy.
Feminism and art.
Photographie artistique.
Photographie > Philosophie.
Féminisme et art.
art photography.
COMPUTERS > Digital Media > Photography.
PHOTOGRAPHY > Reference.
TECHNOLOGY & ENGINEERING > Imaging Systems.
PHOTOGRAPHY > Criticism.
Feminism and art
Photography, Artistic
Photography > Philosophy
Accès en ligne:Texto completo
Table des matières:
  • Inside/out (1995)
  • Written on the body (1997)
  • The family of man : refurbishing humanism for a postmodern age (2004)
  • Torture at Abu Ghraib : in and out of the media (2007)
  • Harry Callahan : gender, genre, and street photography (2007)
  • Caught looking : Susan Meiselas's Carnival strippers (2008)
  • Framing landscape photography (2010)
  • The ghosts of documentary (2012)
  • Inventing Vivian Maier : categories, careers, and commerce (2013)
  • Robert Mapplethorpe : whitewashed and polished (2014)
  • Body double (2014)
  • The coming of age : Cindy Sherman, feminism, and art history (2014)

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