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Sovereign violence : ethics and South Korean cinema in the new millennium /
While making reference to dozens of films from the first decade of the twenty-first century, 'Sovereign Violence' performs sustained, comprehensive readings of twenty-one of the most well-known contemporary South Korean films directed by eight auteurs: Hong Sang-soo, Im Sang-soo, Gok and S...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2016]
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| Colección: | Film culture in transition.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Choe, Steve, |e author. | |
| 245 | 1 | 0 | |a Sovereign violence : |b ethics and South Korean cinema in the new millennium / |c Steve Choe. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2016] | |
| 300 | |a 1 online resource (319 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film Culture in Transition | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a While making reference to dozens of films from the first decade of the twenty-first century, 'Sovereign Violence' performs sustained, comprehensive readings of twenty-one of the most well-known contemporary South Korean films directed by eight auteurs: Hong Sang-soo, Im Sang-soo, Gok and Sun Kim, Kim Ji-woon, Kim Ki-duk, Lee Chang-dong, and Park Chan-wook. Drawing from contemporary film theory and philosophy, as well as reviews, filmmaker interviews, and other primary sources, Sovereign Violence argues that their often violent, contentious films pose urgent ethical dilemmas around life in the age of neoliberal globalization and subsequently point toward new modes of social existence. | |
| 505 | 0 | |a Introduction -- 1. Unredeemable Images -- Address Unknown (2001) and the Ethical Question -- Bad Guy (2001) and Visual Demoralization -- Coda: The Other Repetition in Capitalist Manifesto: Working Men of All Countries, Accumulate! (2003) -- 2. "Love Your Enemies" -- Sophie's Choice in JSA: Joint Security Area (2000) -- The Moral Economy of Sympathy for Mr. Vengeance (2002) -- Oldboy and Sovereign Judgment -- 3. "Serial Sexualities and Accidental Desires" -- Repetition and Critique in Virgin Stripped Bare by Her Bachelors (2000) -- The Temporality of Modern Romance: Woman is the Future of Man -- Coda: Camel(s) (2002) and the Cinema of a Generation -- 4. "The Face and Hospitality" -- N.E.P.A.L.: Never Ending Peace and Love (2003) and the Name of the Other Face -- Memories of Murder (2003) and the Unreadable Face -- Kim Ki-duk's Untimely Critique: The Face in 3-Iron (2004) -- 5. "Forgiving the Unforgivable" -- Forgiveness as Exception in Lady Vengeance (2005) -- Secret Sunshine (2007) in the Light of Political Theology -- Cinema Beyond Melodrama: Poetry (2010) -- 6. "Global Cinema in the Age of Posthumanity" -- The Restoration of Romance in I'm a Cyborg, But That's OK (2006) -- Plastic Love and Time (2006) -- The Profanation of the Priest: Thirst (2009) -- Conclusion: Afterlives of Sovereign Violence -- Notes -- Bibliography -- Index. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed July 14, 2016). | |
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| 650 | 0 | |a Violence in mass media. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z Korea (South) | |
| 650 | 6 | |a Violence dans les médias. | |
| 650 | 6 | |a Cinéma |x Aspect social |z Corée du Sud. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Violence in mass media |2 fast | |
| 651 | 7 | |a Korea (South) |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Choe, Steve. |t Sovereign violence. |d Amsterdam : Amsterdam University Press, 2016 |z 9789089646385 |w (DLC) 2016455210 |w (OCoLC)949771286 |
| 830 | 0 | |a Film culture in transition. | |
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