|
|
|
|
LEADER |
00000cam a2200000Ii 4500 |
001 |
JSTOR_ocn951741834 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
160615s2016 enk obq 001 0 eng d |
040 |
|
|
|a JSTOR
|b eng
|e rda
|e pn
|c JSTOR
|d WPG
|d TEFOD
|d YDXCP
|d OCLCF
|d N$T
|d UAB
|d IOG
|d SNK
|d DKU
|d IGB
|d D6H
|d OCLCQ
|d COCUF
|d VTS
|d CNNOR
|d STF
|d LOA
|d COO
|d AGLDB
|d K6U
|d OTZ
|d VT2
|d U3W
|d CNCEN
|d OCLCQ
|d G3B
|d LVT
|d WYU
|d S8J
|d S9I
|d OCLCQ
|d OCLCO
|d DGITA
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 1059115381
|a 1066565228
|
020 |
|
|
|a 9780231851015
|q (electronic bk.)
|
020 |
|
|
|a 0231851014
|q (electronic bk.)
|
020 |
|
|
|a 9780231176675
|
020 |
|
|
|a 0231176678
|
020 |
|
|
|z 023117666X
|
020 |
|
|
|z 9780231176668
|
024 |
3 |
|
|a 9780231176675
|
029 |
1 |
|
|a AU@
|b 000062392960
|
035 |
|
|
|a (OCoLC)951741834
|z (OCoLC)1059115381
|z (OCoLC)1066565228
|
037 |
|
|
|a 4528381
|b Proquest Ebook Central
|
043 |
|
|
|a e-fr---
|
050 |
|
4 |
|a PN1995.9.P6
|b G73 2016eb
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
082 |
0 |
4 |
|a 791.43/6581
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Grant, Paul Douglas,
|e author.
|
245 |
1 |
0 |
|a Cinéma militant :
|b political filmmaking and May 1968 /
|c Paul Douglas Grant.
|
264 |
|
1 |
|a London :
|b Wallflower Press,
|c [2016]
|
300 |
|
|
|a 1 online resource (viii, 224 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes filmography, bibliographical references (pages 211-216) and index.
|
588 |
0 |
|
|a Print version record.
|
520 |
8 |
|
|a Annotation
|b This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
650 |
|
0 |
|a Motion pictures
|x Political aspects
|z France.
|
650 |
|
0 |
|a Motion pictures
|z France
|x History.
|
650 |
|
6 |
|a Cinéma
|z France
|x Histoire.
|
650 |
|
6 |
|a Cinéma
|x Aspect politique
|z France.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a Motion pictures
|2 fast
|
650 |
|
7 |
|a Motion pictures
|x Political aspects
|2 fast
|
651 |
|
7 |
|a France
|2 fast
|
655 |
|
7 |
|a History
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Grant, Paul Douglas.
|t Cinéma militant.
|d London : Wallflower Press, [2016]
|z 9780231851015
|w (OCoLC)930485954
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7312/gran17666
|z Texto completo
|
938 |
|
|
|a Digitalia Publishing
|b DGIT
|n DIGCOLUP0856
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1260450
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 13032959
|
994 |
|
|
|a 92
|b IZTAP
|