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Expressionism in the cinema /

From classical to contemporary narratives, this book redefines the expressionist aesthetic. One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remed...

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Détails bibliographiques
Cote:Libro Electrónico
Autres auteurs: Brill, Olaf, 1967- (Éditeur intellectuel), Rhodes, Gary Don, 1972- (Éditeur intellectuel)
Format: Électronique eBook
Langue:Inglés
Publié: Edinburgh : Edinburgh University Press, [2016]
Collection:Traditions in world cinema.
Sujets:
Accès en ligne:Texto completo
Description
Résumé:From classical to contemporary narratives, this book redefines the expressionist aesthetic. One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provides original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico. An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
Description matérielle:1 online resource (xvi, 312 pages) : illustrations
Bibliographie:Includes bibliographical references and index.
ISBN:1474403263
9781474403269
1474403255
9781474403252