Building musical culture in nineteenth-century Amsterdam. The Concertgebouw /

Afficher d'autres versions (1)

When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social no...

Description complète

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Cressman, Darryl (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Amsterdam : Amsterdam University Press, 2016.
Sujets:
Concertgebouw (Amsterdam, Netherlands)
1800-1899
Concerts > Netherlands > Amsterdam > History > 19th century.
Concerts > Pays-Bas > Amsterdam > Histoire > 19e siècle.
Dance & other performing arts.
HISTORY > Europe > Western.
ARCHITECTURE > General.
Concerts
Netherlands > Amsterdam
History
Accès en ligne:Texto completo
Table des matières:
  • Cover
  • Table of Contents
  • List of Illustrations
  • Acknowledgements
  • 1. The Concert Hall as a Medium of Musical Culture
  • 2. Listening, Attentive Listening, and Musical Meaning
  • 3. Patronage, Class, and Buildings for Music: Aristocratic Opera Houses and Bourgeois Concert Halls
  • 4. Acoustic Architecture before Science: Designing the Sound of the Concertgebouw
  • 5. Frisia Non Cantat: The Unmusicality of the Dutch
  • 6. Listening to Media History
  • Works Cited
  • Index of Names
  • Index of Subjects.

Documents similaires