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Amar Akbar Anthony : Bollywood, brotherhood, and the nation /
A Bollywood blockbuster when it was released in 1977, Amar Akbar Anthony has become a classic of Hindi cinema and a touchstone of Indian popular culture. Delighting audiences with its songs and madcap adventures, the film follows the heroics of three Bombay brothers separated in childhood from their...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Massachusetts :
Harvard University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Elison, William, |e author. | |
| 245 | 1 | 0 | |a Amar Akbar Anthony : |b Bollywood, brotherhood, and the nation / |c William Elison, Christian Lee Novetzke, Andy Rotman. |
| 264 | 1 | |a Cambridge, Massachusetts : |b Harvard University Press, |c 2016. | |
| 300 | |a 1 online resource (334 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 301-314) and index. | ||
| 505 | 0 | |a Introduction: outright hokum -- Amar: straight shooter -- Akbar: Parda and parody -- Anthony: Amar Akbar irony -- Maa-! -- Conclusion: excuse me, please. | |
| 520 | |a A Bollywood blockbuster when it was released in 1977, Amar Akbar Anthony has become a classic of Hindi cinema and a touchstone of Indian popular culture. Delighting audiences with its songs and madcap adventures, the film follows the heroics of three Bombay brothers separated in childhood from their parents and one another. Beyond the freewheeling comedy and camp, however, is a potent vision of social harmony, as the three protagonists, each raised in a different religion, discover they are true brothers in the end. William Elison, Christan Lee Novetzke, and Andy Rotman offer a sympathetic and layered interpretation of the film's deeper symbolism, seeing it as a lens for understanding modern India's experience with secular democracy. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 630 | 0 | 0 | |a Amar Akbar Anthony (Motion picture) |
| 630 | 0 | 7 | |a Amar Akbar Anthony (Motion picture) |2 fast |0 (OCoLC)fst02058438 |
| 650 | 0 | |a Religious pluralism in motion pictures. | |
| 650 | 0 | |a Social problems in motion pictures. | |
| 650 | 6 | |a Problèmes sociaux au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Religious pluralism in motion pictures. |2 fast |0 (OCoLC)fst01923115 | |
| 650 | 7 | |a Social problems in motion pictures. |2 fast |0 (OCoLC)fst01122808 | |
| 700 | 1 | |a Novetzke, Christian Lee, |d 1969- |e author. | |
| 700 | 1 | |a Rotman, Andy, |d 1966- |e author. | |
| 776 | 0 | 8 | |i Print version: |a Elison, William. |t Amar Akbar Anthony. |d Cambridge, Massachusetts : Harvard University Press, 2016 |z 9780674504486 |w (DLC) 2015009813 |w (OCoLC)920966050 |
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