Hollow Men : Writing, Objects, and Public Image in Renaissance Italy.

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"Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circu...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Gaylard, Susan
Format: Électronique eBook
Langue:Inglés
Publié: Bronx : Fordham University Press, 2013.
Sujets:
To 1700
Italian literature > To 1400 > History and criticism.
Italian literature > 15th century > History and criticism.
Italian language > Early modern, 1500-1700.
Art, Renaissance > Italy > History.
Masculinity in literature.
Masculinity in art.
Renaissance > Italy.
Littérature italienne > Jusqu'à 1400 > Histoire et critique.
Littérature italienne > 15e siècle > Histoire et critique.
Art de la Renaissance > Italie > Histoire.
Masculinité dans la littérature.
Masculinité dans l'art.
Renaissance > Italie.
SOCIAL SCIENCE > Gender Studies.
Art, Renaissance.
Italian literature.
Renaissance.
Italy.
Criticism, interpretation, etc.
History.
Accès en ligne:Texto completo
Table des matières:
  • Contents
  • Acknowledgments
  • Monuments, Imitation, and the Noble Ideal in Early Renaissance Italy
  • Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina
  • How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity
  • From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina
  • Print Monuments, Exposure, and Strategies of Concealment
  • Banishing the Hollow Man: Print, Clothing, and Aretinoâ€?s Emblems of Truth
  • Heroes with Damp Brains? Image vs. Text in Printed Portrait-BooksSilenus Strategies: The Failure of Personal Emblems
  • Afterword
  • Notes
  • Works Cited
  • Index

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