The feel-bad film /

An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. Thes...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lübecker, Nikolaj d'Origny
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, 2015.
Colección:Edinburgh studies in film and intermediality.
Temas:
Kino
Bibel > Philemonbrief
Motion picture audiences > Psychology.
Cinéma > Publics > Psychologie.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Reference.
Motion picture audiences > Psychology
Zuschauer
Gefühl
Psychologie
Publik.
Psykologi och film.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: ch. 1 Assault
  • 1.1. Inner Bastard: von Trier's Dogville
  • 1.2. Ethics Via the Body: Funny Games, Daisy Diamond and Jacques Ranciere
  • 1.3. Going Too Far? De Palma's Redacted
  • ch. 2 Unease
  • 2.1. Buying a Bunch of Radishes? Van Sant's Elephant
  • 2.2. Ethics of Suspension: I Can't Sleep, Hidden and Judith Butler
  • 2.3. Embracing Childhood: Hadzihalilovic's Innocence and Brakhage's Kindering
  • Coda: Ostlund's Play
  • Between Assault and Unease
  • ch. 3 Transgression, Transgression
  • Introduction: Third Generation Avant-Garde?
  • 3.1. Avant-Garde as Tragedy: Dumont's Twentynine Palms
  • 3.2. Desperation Films: Code Blue, In My Skin and Les Salauds
  • 3.3. Avant-Garde as Farce? Korine's Trash Humpers
  • Conclusion.

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