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Theatrical jazz : performance, Àṣẹ, and the power of the present moment /
"Omi Osun Joni L. Jones provides the first full-length study of an artistic form, the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note. Theatrical Jazz: Performance, Àṣẹ, and the Power of the Present Moment is a study of the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbus, Ohio :
The Ohio State University Press,
[2015]
|
| Colección: | Black performance and cultural criticism.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Jones, Omi Osun Joni L., |d 1955- |e author. | |
| 245 | 1 | 0 | |a Theatrical jazz : |b performance, Àṣẹ, and the power of the present moment / |c Omi Osun Joni L. Jones. |
| 264 | 1 | |a Columbus, Ohio : |b The Ohio State University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xvi, 269 pages) : |b illustrations (chiefly color), map | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Black performance and cultural criticism | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Troubling jazz, Abínibí, Black theatre for the twenty-first century -- The ensemble, Ẹgbẹ́, community -- The marrow : Laurie Carlos -- The blue note : Daniel Alexander Jones -- The roots : Sharon Bridgforth -- The break, Awo, process -- The bridge, Áṣẹ, transformation -- Appendix I. Laurie Carlos : an abbreviated chronology of work -- Appendix II. Daniel Alexander Jones : an abbreviated chronology of work -- Appendix III. Sharon Bridgforth : an abbreviated chronology of work. | |
| 520 | |a "Omi Osun Joni L. Jones provides the first full-length study of an artistic form, the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note. Theatrical Jazz: Performance, Àṣẹ, and the Power of the Present Moment is a study of the use of jazz aesthetics in theatre as created by major practitioners of the form, giving particular attention to three innovative artists: Laurie Carlos, Daniel Alexander Jones, and Sharon Bridgforth. Theatrical Jazz examines how artists are made and how artists make art. In charting their overlapping artistic genealogies, the book also discusses the work of veteran artists Aishah Rahman, Robbie McCauley, Sekou Sundiata, Ntozake Shange, and Erik Ehn, as well as the next generation of theatrical jazz innovators, Grisha Coleman, Walter Kitundu, Florinda Bryant, and Zell Miller III. Using autocritography as a primary methodology, the author draws on her role as performer, collaborator, audience/witness, and dramaturg in theatrical jazz, and her experiences with Yoruba spiritual traditions, to excavate the layers and nuances of this performance form. Jones's use of performative writing, a blend of intellectual, artistic, and sensory experiences, allows scholars and students not only to read but also to "hear" the principles of theatrical jazz on the page"--Publisher's description. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Carlos, Laurie |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Jones, Daniel Alexander, |d 1970- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Bridgforth, Sharon |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Carlos, Laurie. |2 fast |0 (OCoLC)fst00401456 |
| 650 | 0 | |a African American theater. | |
| 650 | 0 | |a Performance art. | |
| 650 | 0 | |a Jazz |x Philosophy and aesthetics. | |
| 650 | 0 | |a Yoruba (African people) |x Rites and ceremonies |x Influence. | |
| 650 | 6 | |a Théâtre noir américain. | |
| 650 | 6 | |a Jazz |x Philosophie et esthétique. | |
| 650 | 6 | |a Yoruba (Peuple d'Afrique) |x Rites et cérémonies |x Influence. | |
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 650 | 7 | |a Jazz |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01751455 | |
| 650 | 7 | |a African American theater. |2 fast |0 (OCoLC)fst00799418 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Jones, Omi Osun Joni L., 1955- |t Theatrical jazz. |d Columbus, Ohio : The Ohio State University Press, [2015] |w (DLC) 2014047887 |
| 830 | 0 | |a Black performance and cultural criticism. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvtv93pq |z Texto completo |
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