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Motion(less) pictures : the cinema of stasis /
Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's Empire (1964), the Fluxus work Disappearing Music...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York ; Chichester [England] :
Columbia University Press,
[2015]
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| Colección: | Film and culture.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgments
- 1. Introduction: The Filmic
- 2. Serious Immobilities: Andy Warhol, Erik Satie, and the Furniture Film
- 3. Stasis in Fluxus: Disappearing Music for Face and Protracted Cinema
- 4. Boundless Ontologies: Michael Snow, Wittgenstein, and the Textual Film
- 5. Colored Blindness: Derek Jarman's Blue and the Monochrome Film
- 6. Conclusion: Static Cinema in the Digital Age
- Appendix 1. The Cinema of Stasis
- Appendix 2. Films Relevant to Understanding the Cinema of Stasis
- Notes
- Index
- Backmatter.