|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_ocn903975087 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cn||||||||| |
008 |
150205t19831983kyuao ob 001 0 eng d |
040 |
|
|
|a E7B
|b eng
|e rda
|e pn
|c E7B
|d OCLCQ
|d OCLCF
|d EBLCP
|d N$T
|d JSTOR
|d KUK
|d OCLCO
|d YDXCP
|d IDB
|d OCLCQ
|d COCUF
|d AGLDB
|d CCO
|d PIFAG
|d ZCU
|d MERUC
|d IOG
|d U3W
|d STF
|d OCLCQ
|d VTS
|d ICG
|d REC
|d OCLCQ
|d LVT
|d TKN
|d DKC
|d OCLCQ
|d AJS
|d TXI
|d OCLCO
|d OCLCQ
|
019 |
|
|
|a 900344387
|a 1259183863
|
020 |
|
|
|a 9780813148649
|q (e-book)
|
020 |
|
|
|a 0813148642
|q (e-book)
|
020 |
|
|
|z 9780813101545
|
020 |
|
|
|z 9780813109510
|
029 |
1 |
|
|a AU@
|b 000056072815
|
029 |
1 |
|
|a DEBBG
|b BV043028552
|
029 |
1 |
|
|a DEBBG
|b BV044072898
|
029 |
1 |
|
|a DEBSZ
|b 446454559
|
029 |
1 |
|
|a GBVCP
|b 1003804519
|
035 |
|
|
|a (OCoLC)903975087
|z (OCoLC)900344387
|z (OCoLC)1259183863
|
037 |
|
|
|a 22573/ctt12998p0
|b JSTOR
|
043 |
|
|
|a n-us---
|
050 |
|
4 |
|a PN1995.9.H5
|b .H64 1983eb
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a PER004000
|2 bisacsh
|
072 |
|
7 |
|a SOC022000
|2 bisacsh
|
082 |
0 |
4 |
|a 791.43/09/09358
|2 19
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Hollywood as historian :
|b American film in a cultural context /
|c edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others].
|
250 |
|
|
|a Revised edition.
|
264 |
|
1 |
|a Lexington, Kentucky :
|b The University Press of Kentucky,
|c 1983.
|
264 |
|
4 |
|c ©1983
|
300 |
|
|
|a 1 online resource (299 pages) :
|b illustrations, photographs
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
500 |
|
|
|a Includes index.
|
588 |
0 |
|
|a Print version record.
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White.
|
505 |
8 |
|
|a 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
|
520 |
|
|
|a Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Historical films
|z United States
|x History and criticism.
|
650 |
|
0 |
|a Motion pictures and history.
|
650 |
|
0 |
|a Motion picture plays, American
|x History and criticism.
|
650 |
|
6 |
|a Films historiques
|z États-Unis
|x Histoire et critique.
|
650 |
|
6 |
|a Cinéma et histoire.
|
650 |
|
6 |
|a Scénarios de cinéma américains
|x Histoire et critique.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Historical films.
|2 fast
|0 (OCoLC)fst00958120
|
650 |
|
7 |
|a Motion picture plays, American.
|2 fast
|0 (OCoLC)fst01740826
|
650 |
|
7 |
|a Motion pictures and history.
|2 fast
|0 (OCoLC)fst01027408
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
700 |
1 |
|
|a Rollins, Peter C.,
|e editor.
|
700 |
1 |
|
|a Browne, Ray B.
|q (Ray Broadus),
|d 1922-2009,
|e contributor.
|
776 |
0 |
8 |
|i Print version:
|t Hollywood as historian : American film in a cultural context.
|b Revised edition.
|d Lexington, Kentucky : The University Press of Kentucky, ©1983
|h x, 288 pages
|z 9780813101545
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt130htm1
|z Texto completo
|
936 |
|
|
|a BATCHLOAD
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 938051
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 12238074
|
994 |
|
|
|a 92
|b IZTAP
|