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Literature and music in the Atlantic world, 1767-1867 /

This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlighte...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Jones, Catherine, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2014]
Colección:Edinburgh studies in transatlantic literatures.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Literature and music in the Atlantic world, 1767-1867 /  |c Catherine Jones. 
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504 |a Includes bibliographical references and index. 
505 0 |a Magic numbers and persuasive sound -- Cosmopolitanism and the nation -- The life in music -- Chants democrative and Native American -- The musical sublime. 
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520 |a This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music. Key Features. The first study devoted to literature and music in the Atlantic world Includes detailed examination of works by canonical and lesser known eighteenth- and nineteenth-century American writers and composers Shows the intertwining of European and American cultural forms Integrates the history of music and the history of subjectivity 
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650 0 |a Music and literature  |z United States  |x History  |y 19th century. 
650 0 |a American literature  |y Colonial period, ca. 1600-1775  |x History and criticism. 
650 0 |a American literature  |y Revolutionary period, 1775-1783  |x History and criticism. 
650 0 |a American literature  |y 1783-1850  |x History and criticism. 
650 0 |a American literature  |y 19th century  |x History and criticism. 
650 6 |a Musique et littérature  |z États-Unis  |x Histoire  |y 18e siècle. 
650 6 |a Musique et littérature  |z États-Unis  |x Histoire  |y 19e siècle. 
650 6 |a Littérature américaine  |y ca 1600-1775 (Période coloniale)  |x Histoire et critique. 
650 6 |a Littérature américaine  |y 1775-1783 (Période révolutionnaire)  |x Histoire et critique. 
650 6 |a Littérature américaine  |y 1783-1850  |x Histoire et critique. 
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650 7 |a American literature  |x Revolutionary period (United States)  |2 fast  |0 (OCoLC)fst01711007 
650 7 |a Music and literature.  |2 fast  |0 (OCoLC)fst01030479 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
650 7 |a Literatur  |2 gnd 
650 7 |a Amerikanisches Englisch  |2 gnd 
650 7 |a Musik  |2 gnd 
651 7 |a Atlantischer Raum  |2 gnd 
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