9/11 and the visual culture of disaster /

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The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Stubblefield, Thomas
Format: Electronic eBook
Language:Inglés
Published: Bloomington : Indiana University Press, [2015]
Subjects:
2001
September 11 Terrorist Attacks, 2001 > Influence.
September 11 Terrorist Attacks, 2001, in mass media.
September 11 Terrorist Attacks, 2001, in art.
Emptiness (Philosophy)
Attentats du 11 septembre 2001, États-Unis dans les médias.
Attentats du 11 septembre 2001, États-Unis, dans l'art.
Vide (Philosophie)
HISTORY > United States > State & Local > General.
SOCIAL SCIENCE > Media Studies.
Influence (Literary, artistic, etc.)
September 11 Terrorist Attacks (2001) in art
September 11 Terrorist Attacks (2001) in mass media
11 september-attackerna 2001.
11 september-attackerna 2001 i konsten.
Online Access:Texto completo
Table of Contents:
  • Introduction: spectacle and its other
  • From latent to live: disaster photography after the digital turn
  • Origins of affect: the falling body and other symptoms of cinema
  • Remembering-images: empty cities, machinic vision, and the post-9/11 imaginary
  • Lights, camera, iconoclasm: how do monuments die and live to tell about it?
  • The failure of the failure of images: the crisis of the unrepresentable from the graphic
  • Novel to the 9/11 memorial
  • Conclusion: disaster(s) without content.

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