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Photography and social movements : from the globalisation of the movement (1968) to the movement against globalisation (2001) /

Photography and social movements is the first thorough study of photography's interrelationship with social movements. Focusing on the photographic production and dissemination during the student and worker uprising in Paris in May 1968, the Zapatista rebellion, and the anti-capitalist protests...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Memou, Antigoni (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester, UK : Manchester University Press, [2013]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Memou, Antigoni,  |e author. 
245 1 0 |a Photography and social movements :  |b from the globalisation of the movement (1968) to the movement against globalisation (2001) /  |c Antigoni Memou. 
264 1 |a Manchester, UK :  |b Manchester University Press,  |c [2013] 
264 4 |c Ã2013 
300 |a 1 online resource (172 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file  |2 rda 
504 |a Includes bibliographical references and index. 
505 0 0 |t Toute la presse est toxique : May 1968 in the mainstream French press --  |t The Zapatistas and the media spectacle --  |t 'When it bleeds, it leads' : death and press photography in the anti-capitalist protests in Genoa 2001 --  |t The student movement of May 1968 : activist photography, self-reflection and antinomies --  |t Zapatistas, photography and the internet or winning the game of visibility --  |t Carnival Against Capitalism : global days of action and photographs of resistance --  |t May '68 in the museum --  |t The end of silence : Antonio Turok's photographs of the Zapatistas --  |t Joel Sternfeld's anti-photojournalistic images of Genoa. 
520 8 |a Photography and social movements is the first thorough study of photography's interrelationship with social movements. Focusing on the photographic production and dissemination during the student and worker uprising in Paris in May 1968, the Zapatista rebellion, and the anti-capitalist protests in Genoa in 2001, the book argues that at times of political uprisings, photographic documentations, often contradictory, strive to prevail in the public domain, extending the political or economic struggle to a representational level. Photography plays a central role in this representational conflict, by either reproducing or challenging stereotypical narratives of protest. This groundbreaking interdisciplinary analysis of a wide range of practices, amateur and professional, and of previously unpublished archival material will add considerably to students', researchers' and scholars' knowledge of both the visual imagery of political movements and the developing history of photographic representation. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Documentary photography  |x History. 
650 0 |a Photography  |x Social aspects. 
650 0 |a Social movements  |x History. 
650 6 |a Photographie documentaire  |x Histoire. 
650 6 |a Photographie  |x Aspect social. 
650 6 |a Mouvements sociaux  |x Histoire. 
650 7 |a Documentary photography.  |2 fast  |0 (OCoLC)fst00896093 
650 7 |a Photography  |x Social aspects.  |2 fast  |0 (OCoLC)fst01061826 
650 7 |a Social movements.  |2 fast  |0 (OCoLC)fst01122657 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Memou, Antigoni.  |t Photography and social movements.  |d Manchester : Manchester University Press, c2013  |z 9780719087424  |w (OCoLC)866836533 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt21215w4  |z Texto completo 
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