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The festive play of Fernando Arrabal /

Along with Samuel Beckett and Eugene Ionesco, Fernando Arrabal is a major exponent of the Theater of the Absurd. In this study Arrabal's plays are seen as a contemporary expression of a festive form of theater that flourished during the Middle Ages and that had its roots in the drama of Aeschyl...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Arata, Luis Oscar, 1950-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, [2015], ©1982.
Colección:Studies in Romance languages (Lexington, Ky.)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Arata, Luis Oscar,  |d 1950- 
245 1 4 |a The festive play of Fernando Arrabal /  |c Luis Oscar Arata. 
260 |a Lexington :  |b The University Press of Kentucky,  |c [2015], ©1982. 
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505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Introduction; 1. The Form of Play; 2. Armatures; 3. The World in Pieces; 4. Visions, Dreams, & Other Nightmares; 5. The Feast of Pan; Notes; Selected Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W. 
520 |a Along with Samuel Beckett and Eugene Ionesco, Fernando Arrabal is a major exponent of the Theater of the Absurd. In this study Arrabal's plays are seen as a contemporary expression of a festive form of theater that flourished during the Middle Ages and that had its roots in the drama of Aeschylus and Aristophanes. With this view of Arrabal's work, Luis Arata explores the nature of play in art in the light of Jean Piaget's psychology. He thus offers a new way to approach festive and playful art. 
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