|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn900344464 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
150117t20031979kyu ob 001 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d N$T
|d OCLCQ
|d OCLCF
|d JSTOR
|d KUK
|d TEFOD
|d OCLCA
|d OCLCQ
|d OCLCO
|d AGLDB
|d IOG
|d MERUC
|d EZ9
|d INARC
|d OCLCO
|d OCLCQ
|d VTS
|d REC
|d OCLCQ
|d OCLCA
|d LVT
|d STF
|d DKC
|d OCLCQ
|d M8D
|d OCLCO
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9780813149158
|q (electronic bk.)
|
020 |
|
|
|a 0813149150
|q (electronic bk.)
|
029 |
1 |
|
|a AU@
|b 000054974595
|
029 |
1 |
|
|a DEBBG
|b BV043057166
|
029 |
1 |
|
|a DEBSZ
|b 446447927
|
029 |
1 |
|
|a GBVCP
|b 1003796222
|
035 |
|
|
|a (OCoLC)900344464
|
037 |
|
|
|a 22573/ctt129dcq9
|b JSTOR
|
037 |
|
|
|a 2F7D7D01-8212-418B-B4BD-F370969697C7
|b OverDrive, Inc.
|n http://www.overdrive.com
|
043 |
|
|
|a n-usu--
|
050 |
|
4 |
|a ML3477
|b .M34 2003eb
|
072 |
|
7 |
|a MUS
|x 041000
|2 bisacsh
|
072 |
|
7 |
|a MUS017000
|2 bisacsh
|
072 |
|
7 |
|a MUS020000
|2 bisacsh
|
072 |
|
7 |
|a MUS010000
|2 bisacsh
|
082 |
0 |
4 |
|a 781.64/0975
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Malone, Bill C.
|
245 |
1 |
0 |
|a Southern music/American music /
|c Bill C. Malone and David Stricklin.
|
250 |
|
|
|a Rev. ed.
|
260 |
|
|
|a Lexington, Ky. :
|b University Press of Kentucky,
|c 2003, ©1979.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references (pages 218-220) and index.
|
505 |
0 |
0 |
|t Folk origins of southern music -- National discovery -- Early commercialization: ragtime, blues, jazz -- Expanding markets: Tejano, Cajun, hillbilly, gospel -- The great depression and new technologies -- The nationalization of southern music -- The 1960s and 1970s: rock, gospel, soul -- The national resurgence of country music -- A future in the past -- Suggested listening.
|
520 |
1 |
|
|a "Southern Music/American Music is the first book to investigate the influence of the South on American music and the many popular forms that emerged from it. In this substantially revised edition, Bill C. Malone and David Stricken bring this classic work into the twenty-first century, including material on the hugely successful soundtrack to O Brother, Where Art Thou? and the renewed interest in Southern music, as well as important new artists such as Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others."--Jacket
|
588 |
0 |
|
|a Online resource; title from PDF title page (EBSCO, viewed January 20, 2015).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Popular music
|z Southern States
|x History and criticism.
|
650 |
|
6 |
|a Musique populaire
|z États-Unis (Sud)
|x Histoire et critique.
|
650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Folk & Traditional.
|2 bisacsh
|
650 |
|
7 |
|a Popular music
|2 fast
|
651 |
|
7 |
|a Southern States
|2 fast
|
650 |
|
7 |
|a Folk music
|2 gnd
|
651 |
|
7 |
|a USA
|x Südstaaten
|2 gnd
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
700 |
1 |
|
|a Stricklin, David,
|d 1952-
|
776 |
0 |
8 |
|i Print version:
|a Malone, Bill C.
|t Southern Music/American Music.
|d Lexington : The University Press of Kentucky, ©2015
|z 9780813103006
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt130j59n
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL1915093
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 938116
|
938 |
|
|
|a Internet Archive
|b INAR
|n southernmusicame00malo
|
994 |
|
|
|a 92
|b IZTAP
|