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Black male frames : African Americans in a century of Hollywood cinema, 1903-2003 /
Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forc...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Syracuse, New York :
Syracuse University Press,
2015.
|
| Edición: | First Edition. |
| Colección: | Television and popular culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Williams, Roland Leander, |d 1953- |e author. | |
| 245 | 1 | 0 | |a Black male frames : |b African Americans in a century of Hollywood cinema, 1903-2003 / |c Roland Leander Williams Jr. |
| 246 | 3 | 0 | |a African Americans in a century of Hollywood cinema, 1903-2003 |
| 250 | |a First Edition. | ||
| 264 | 1 | |a Syracuse, New York : |b Syracuse University Press, |c 2015. | |
| 300 | |a 1 online resource (xvii, 200 pages) : |b illustrations, portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Television and Popular Culture | |
| 520 | |a Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W. E. B. Du Bois. Williams argues that these two extremes persist today in modern Hollywood, where actors such as Sam Lucas, Paul Robeson, Sidney Poitier, Denzel Washington, and Morgan Freeman, among others, must cope with and work around such limited options. Williams situates these actors' performances of one or the other stereotype within each man's personal history and within the country's historical moment, ultimately to argue that these men are rewarded for their portrayal of the stereotypes most needed to put America's ongoing racial anxieties at ease. Reinvigorating the discussion that began with Donald Bogle's seminal work, Toms, Coons, Mulattoes, Mammies, and Bucks, Black Male Frames illuminates the ways in which individuals and the media respond to the changing racial politics in America. | ||
| 504 | |a Includes bibliographical references (pages 177-186) and index. | ||
| 505 | 0 | |a Original frames -- New negro -- Renaissance man -- Civil servant -- Soul brother -- Good buddy -- Curtain call. | |
| 588 | |a Description based on online resource ; title from PDF title page (EBSCO; viewed on February 11, 2015). | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a African Americans in motion pictures. | |
| 650 | 0 | |a Stereotypes (Social psychology) in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States. | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 6 | |a Noirs américains au cinéma. | |
| 650 | 6 | |a Stéréotypes au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a African Americans in motion pictures. |2 fast |0 (OCoLC)fst00799733 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion pictures |x Social aspects. |2 fast |0 (OCoLC)fst01027384 | |
| 650 | 7 | |a Stereotypes (Social psychology) in motion pictures. |2 fast |0 (OCoLC)fst01431527 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Williams, Roland Leander. |t Black male frames. |b First edition. |d Syracuse, New York : Syracuse University Press, 2015 |z 0815633823 |w (OCoLC)878299525 |
| 830 | 0 | |a Television and popular culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1j2n82k |z Texto completo |
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