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JSTOR_ocn896826688 |
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OCoLC |
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20231005004200.0 |
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m o d |
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141124t19901990ctug o 001 0 eng d |
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|a 923606706
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|a (OCoLC)896826688
|z (OCoLC)923606706
|z (OCoLC)1175637017
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|a 22573/ctt1bhjk0n
|b JSTOR
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|a MT55
|b .T44 1990eb
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| 072 |
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7 |
|a MUS
|x 041000
|2 bisacsh
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|a MUS041000
|2 bisacsh
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|a 781.2/86
|2 22
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|a UAMI
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| 100 |
1 |
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|a Thakar, Markand,
|d 1955-
|e author.
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| 245 |
1 |
0 |
|a Counterpoint :
|b fundamentals of music making /
|c Markand Thakar.
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| 264 |
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|a New Haven [CT] :
|b Yale University Press,
|c [1990]
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| 264 |
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|c ©1990
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| 300 |
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|a 1 online resource (xxii, 312 pages) :
|b music
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 500 |
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|a Includes index.
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| 505 |
0 |
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|a 1. Primordial line -- 2. Two-part counterpoint -- 3. Dissonance -- 4. Rhythmic variety -- 5. Three-part counterpoint -- 6. Mixed species -- 7. Consequences and applications.
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|a Print version record.
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| 590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 650 |
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|a Counterpoint.
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| 650 |
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|a Contrepoint.
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| 650 |
|
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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| 650 |
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|a Contrapunto
|2 embne
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| 650 |
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|a Counterpoint
|2 fast
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| 650 |
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|a Kontrapunkt
|2 gnd
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| 650 |
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|a Einführung
|2 gnd
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| 776 |
0 |
8 |
|i Print version:
|a Thakar, Markand, 1955-
|t Counterpoint
|z 0300046286
|w (DLC) 89070719
|w (OCoLC)20825836
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1bh4c4f
|z Texto completo
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| 938 |
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|a EBSCOhost
|b EBSC
|n 910003
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| 938 |
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|a YBP Library Services
|b YANK
|n 12175903
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| 994 |
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|a 92
|b IZTAP
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