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Film rhythm after sound : technology, music, and performance /

The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contem...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Jacobs, Lea (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Oakland, California : University of California Press, [2015]
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Introduction : film rhythm and the problem of sound
  • A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I
  • Mickey Mousing reconsidered
  • Lubitsch and Mamoulian
  • Dialogue timing and performance in Hawks.