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Film rhythm after sound : technology, music, and performance /
The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contem...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oakland, California :
University of California Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jacobs, Lea, |e author. | |
| 245 | 1 | 0 | |a Film rhythm after sound : |b technology, music, and performance / |c Lea Jacobs. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xii, 266 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks. | |
| 520 | |a The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian, | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Sound in motion pictures. | |
| 650 | 0 | |a Motion picture music. | |
| 650 | 0 | |a Dialogue in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 0 | |a Rhythm. | |
| 650 | 6 | |a Cinéma |x Son. | |
| 650 | 6 | |a Film, Musique de. | |
| 650 | 6 | |a Dialogue au cinéma. | |
| 650 | 6 | |a Cinéma |x Production et réalisation. | |
| 650 | 6 | |a Rythme. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Dialogue in motion pictures. |2 fast |0 (OCoLC)fst00892502 | |
| 650 | 7 | |a Motion picture music. |2 fast |0 (OCoLC)fst01027201 | |
| 650 | 7 | |a Motion pictures |x Production and direction. |2 fast |0 (OCoLC)fst01027357 | |
| 650 | 7 | |a Rhythm. |2 fast |0 (OCoLC)fst01097273 | |
| 650 | 7 | |a Sound in motion pictures. |2 fast |0 (OCoLC)fst01904742 | |
| 776 | 0 | 8 | |i Print version: |a Jacobs, Lea. |t Film rhythm after sound |z 9780520279643 |w (DLC) 2014031038 |w (OCoLC)887450898 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt9qh2gv |z Texto completo |
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