Narratives of Identity in Alban Berg's ""Lulu""

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This book explores the crossroads between autobiographical narratives and musical composition in Alban Berg's Lulu, unveiling aspects of encoded social customs, gender identity, and personal experiences within musical structures.

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Dos Santos, Silvio J.
Format: Électronique eBook
Langue:Inglés
Publié: Woodbridge : Boydell & Brewer, 2014.
Collection:Eastman studies in music.
Sujets:
Berg, Alban, > 1885-1935 > Criticism and interpretation.
Berg, Alban, > 1885-1935. > Lulu.
Wagner, Richard, > 1813-1883 > Criticism and interpretation.
Berg, Alban, > 1885-1935
Wagner, Richard, > 1813-1883
Berg, Alban > 1885-1935 > Lulu
Berg, Alban > 1885-1935
Wagner, Richard > 1813-1883
Lulu (Berg, Alban)
MUSIC > Instruction & Study > Voice.
MUSIC > Lyrics.
MUSIC > Printed Music > Vocal.
HISTORY > Europe > Austria & Hungary.
Rezeption
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • Frontcover; Contents; Acknowledgments; Note on Terminology; Introduction; Part One: Berg's Ideal Identities; 1 Between Schoenberg and Wagner; 2 Berg as Wagner: In Pursuit of an Ideal Identity; 3 Refiguring Tristan; Part Two: Personal and Cultural Identities; 4 The Bild Motif and Lulu's Identity; 5 Marriage as Prostitution; 6 Masculine, Feminine, and "In-between": Geschwitz as neue Frau; Conclusion: Berg's Wagnerism; Notes; Bibliography; Index; Backcover.

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