Partimento and continuo playing in theory and in practice /

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This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interac...

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Détails bibliographiques
Cote:Libro Electrónico
Collectivité auteur: International Orpheus Academy for Music Theory
Autres auteurs: Christensen, Thomas Street, Moelants, Dirk, 1946-, Snyers, Kathleen
Format: Électronique Actes de congrès eBook
Langue:Inglés
Publié: Leuven : Leuven University Press, 2010.
Collection:Collected writings of the Orpheus Institute ; #9.
Sujets:
Continuo.
Composition (Music)
Performance practice (Music)
Counterpoint.
Musical accompaniment.
Music theory > Composition > History and criticism.
Basse continue.
Composition (Musique)
Pratique de l'exécution (Musique)
Contrepoint.
Accompagnement (Musique)
Théorie musicale > Composition > Histoire et critique.
MUSIC > Instruction & Study > Theory.
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • Thoroughbass as music theory / Thomas Christensen
  • Partimenti written to impart knowledge of counterpoint and composition / Robert Gjerdingen
  • Partimento-fugue: the Neapolitan angle / Giorgio Sanguinettti
  • The playing of partimento / Rudolf Lutz.

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