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Partimento and continuo playing in theory and in practice /
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interac...
| Clasificación: | Libro Electrónico |
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| Autor Corporativo: | |
| Otros Autores: | , , |
| Formato: | Electrónico Congresos, conferencias eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2010.
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| Colección: | Collected writings of the Orpheus Institute ;
#9. |
| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions to this book. Thomas Christensen, in his contribution, shows how the development of tonal. |
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| Notas: | Collected essays based on lectures given at the 4th International Orpheus Academy for Music Theory in 2006. |
| Descripción Física: | 1 online resource (136 pages) : illustrations, music |
| Bibliografía: | Includes bibliographical references. |
| ISBN: | 9789461660947 9461660944 |