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Queen for a day : transformistas, beauty queens, and the performance of femininity in Venezuela /

Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ochoa, Marcia, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2014.
Colección:Perverse modernities.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ochoa, Marcia,  |d 1970-  |e author. 
245 1 0 |a Queen for a day :  |b transformistas, beauty queens, and the performance of femininity in Venezuela /  |c Marcia Ochoa. 
264 1 |a Durham :  |b Duke University Press,  |c 2014. 
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490 1 |a Perverse modernities / a series edited by Judith Halberstam and LIsa Lowe 
505 0 |a Introducing ... the queen -- Belleza Venezolana: media, race, modernity, and nation in the twentieth-century Venezuelan beauty contest -- La moda nace en Paris y muere en Caracas: fashion, beauty, and consumption on the (trans)national -- La reina de la noche: performance, sexual subjectivity, and the form of the beauty -- Pageant in Venezuela -- Pasarelas y perolones: transformista mediations on avenida libertador in Caracas -- Sacar el cuerpo : transformista and Miss Embodiment -- Spectacular femininities -- Epilogue: democracy and melodrama: frivolity, fracaso, and political violence in Venezuela. 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 |a Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delv. 
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650 6 |a Transsexuels  |z Venezuela. 
650 6 |a Candidates (Concours de beauté)  |z Venezuela. 
650 6 |a Féminité  |z Venezuela. 
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650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Gender Studies.  |2 bisacsh 
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650 7 |a Femininity  |2 fast 
650 7 |a Transsexuals  |2 fast 
651 7 |a Venezuela  |2 fast 
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