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|a Buerkle, Darcy C.,
|e author.
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|a Nothing happened :
|b Charlotte Salomon and an archive of suicide /
|c Darcy C. Buerkle.
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|a Ann Arbor :
|b University of Michigan Press,
|c 2013.
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|a 1 online resource
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|a text
|b txt
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|a Michigan studies in comparative Jewish cultures
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|a Print version record.
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|a Introduction; Section 1; First Foreclosures and Their Evidence: Trauma's Event; Trauma, Event, Method; Affect, Event, Method; Trauma/Transcendence: Life? or Theater? and Its Public; Section 2; First Sights: On Seeing Suicide before World War I; First Paintings: Charlotte Knarre; Empty Space as Window/Empty Space as Figural Space; Nothing Happened; Charlotte Knarre Throws Herself in the Water; First Things/Next Things; Archive I: Firsts, in a Series; Moehsen on Suicide by Drowning, Marx on Women's Suicide, Wabnitz on Suicide as Critique; Émile Durkheim's Suicide as Event.
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|a Helenefriederike Stelzner and Her Analysis of Two Hundred Cases of SuicideOn Student Suicide and "Mourning and Melancholia"; Section 3; Waiting to See: The Visual Rhetoric of Suicide in Weimar Berlin; Franziska I & II; Franziska I: Documenting Nothing, Again; Franziska II: Documenting Nothing, Again, and Then Once More; Archive II: Berlin's New Statistics, Jews, Prevention; Before the Census: Raphael Weichbrodt and Some Others; Berlin's 1925-1926 Census: Jews and Suicide; Preventing Suicide; To the Letter: Notes on Writing Notes/Negotiations of the Grapheme.
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|a Striking Reasons: Suicide Records and the Visual Rhetoric of the Strike-OutNoting (Striking) Suicide in Psychoanalysis; Anna O.; Dora; The Psychogenesis of a Case of Homosexuality in a Woman (1920); Section 4; Looking That Does Not End: Final Words; Frau Knarre: "Tonight or Never"; The Witness/Standing Next to and Stories of Origin; Feeling Gaze; P.S.: Postscripts; Final Words; Epilogue; Notes; Index; Illustrations.
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|a Includes bibliographical references and index.
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|a "Charlotte Salomon's (1917-43) fantastical autobiography, Life? or Theater?, consists of 769 sequenced gouache paintings, through which the artist imagined the circumstances of the eight suicides in her family, all but one of them women. But Salomon's focus on suicide was not merely a familial idiosyncrasy. Nothing Happened argues that the social history of early-twentieth-century Germany has elided an important cultural and social phenomenon by not including the story of German Jewish women and suicide. This absence in social history mirrors an even larger gap in the intellectual history of deeply gendered suicide studies that have reproduced the notion of women's suicide as a rarity in history. Nothing Happened is a historiographic intervention that operates in conversation and in tension with contemporary theory about trauma and the reconstruction of emotion in history"--Publisher's website.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Salomon, Charlotte,
|d 1917-1943
|x Criticism and interpretation.
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|a Salomon, Charlotte,
|d 1917-1943.
|t Leben oder Theater.
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|a Salomon, Charlotte,
|d 1917-1943
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|a Leben oder Theater? (Salomon, Charlotte)
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|a Suicide
|x Sociological aspects.
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|a Jews
|z Germany
|x Psychology.
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|a Suicide
|x Aspect sociologique.
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|a Juifs
|z Allemagne
|x Psychologie.
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|a ART
|x History
|x General.
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|a LITERARY CRITICISM
|x European
|x German.
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|a Jews
|x Psychology
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|a Suicide
|x Sociological aspects
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|a Germany
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|a Criticism, interpretation, etc.
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|i Print version:
|a Buerkle, Darcy C.
|t Nothing happened
|z 9780472118557
|w (DLC) 2013015654
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|a Michigan studies in comparative Jewish cultures.
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