The real, the true, and the told : postmodern historical narrative and the ethics of representation /

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"The Real, The True, and The Told: Postmodern Historical Narrative and the Ethics of Representation, by Eric L. Berlatsky, intervenes in contemporary debates over the problems of historical reference in a postmodern age. It does so through an examination of postmodern literary practices and the...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Berlatsky, Eric L., 1972-
Format: Électronique eBook
Langue:Inglés
Publié: Columbus : The Ohio State University Press, [2011]
Collection:Theory and interpretation of narrative series.
Sujets:
Spiegelman, Art > Criticism and interpretation.
Rushdie, Salman > Criticism and interpretation.
Swift, Graham, > 1949- > Criticism and interpretation.
Woolf, Virginia, > 1882-1941 > Criticism and interpretation.
Rushdie, Salman.
Spiegelman, Art.
Swift, Graham, > 1949-
Woolf, Virginia, > 1882-1941.
Historiography.
History > Philosophy.
Postmodernism (Literature)
Discourse analysis, Narrative.
Historical fiction > History and criticism > Theory, etc.
Postmodernisme (Littérature)
Discours narratif.
LITERARY CRITICISM > General.
Criticism, interpretation, etc.
Literary criticism.
Critiques littéraires.
Accès en ligne:Texto completo
Table des matières:
  • "Memory as forgetting" : historical reference, ethics, and postmodernist fiction
  • The pageantry of the past and the reflection of the present : history, reality, and feminism in Virginia Woolf's Between the acts
  • "A knife blade called now" : historiography, narrativity, and the "here and now" in Graham Swift's Waterland
  • "What's real and what's true" : metaphors, errata, and the shadow of the real in Salman Rushdie's Midnight's children
  • "It's enough stories" : truth and experience in Art Spiegelman's Maus
  • Expanding the field.

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