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Victorian art criticism and the woman writer /
This book examines the development of specialized art commentary in a period when art education became a national concern in Britain. The explosion of Victorian visual culture - evident in the rapid expansion of galleries and museums, the technological innovations of which photography is only the mo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbus :
Ohio State University Press,
©2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kanwit, John Paul M., |d 1972- | |
| 245 | 1 | 0 | |a Victorian art criticism and the woman writer / |c John Paul M. Kanwit. |
| 260 | |a Columbus : |b Ohio State University Press, |c ©2013. | ||
| 300 | |a 1 online resource (216 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Encouraging visual literacy : early-Victorian state sponsorship of the arts and the growing need for expert art commentary -- "Mere outward appearances"? Teaching household taste and social perception in Elizabeth Gaskell's North and south and contemporary art commentary -- "My name is the right one" : Lady Elizabeth (Rigby) Eastlake and the story of professional art criticism -- "I have often wished in vain for another's judgment" : modeling ideal aesthetic commentary in Anne Brontë's The tenant of Wildfell Hall -- A new kind of elitism? Art criticism and mid-Victorian exhibitions -- Interpreting Cleopatra : aesthetic guidance in Charlotte Brontë's Villette and George Eliot's Middlemarch -- Sensational sentiments : impressionism and the protection of difficulty in late-Victorian art criticism -- Conclusion : "An astonishingly tasteless idea"? Artistic value after September 11. | |
| 520 | |a This book examines the development of specialized art commentary in a period when art education became a national concern in Britain. The explosion of Victorian visual culture - evident in the rapid expansion of galleries and museums, the technological innovations of which photography is only the most famous, the public debates over household design, and the high profile granted to such developments as the Aesthetic Movement - provided art critics unprecedented social power. By including then-influential but now lesser-known critics such as Anna Jameson, Elizabeth Eastlake, and Emilia Dilke, and by focusing on critical debates rather than celebrated figures, this book refines the conception of when and how art criticism became a professional discipline in Britain. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a English literature |x Women authors |x History and criticism. | |
| 650 | 0 | |a Women art critics |z Great Britain |x History |y 19th century. | |
| 650 | 0 | |a Art criticism |z Great Britain |x History |y 19th century. | |
| 650 | 6 | |a Écrits de femmes anglais |x Histoire et critique. | |
| 650 | 6 | |a Femmes critiques d'art |z Grande-Bretagne |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Critique d'art |z Grande-Bretagne |x Histoire |y 19e siècle. | |
| 650 | 7 | |a LITERARY CRITICISM / General |2 bisacsh | |
| 650 | 7 | |a Art criticism |2 fast | |
| 650 | 7 | |a English literature |x Women authors |2 fast | |
| 650 | 7 | |a Women art critics |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Kanwit, John Paul M., 1972- |t Victorian art criticism and the woman writer. |d Columbus : Ohio State University Press, ©2013 |w (DLC) 2013002295 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv16qk36q |z Texto completo |
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