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JSTOR_ocn864899445 |
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|a PN1998.3.C67
|b P48 2004eb
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|a UAMI
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|a Phillips, Gene D.
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|a Godfather :
|b the intimate Francis Ford Coppola /
|c Gene D. Phillips.
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|a Lexington :
|b University Press of Kentucky,
|c [2004]
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|c ©2004
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|a 1 online resource (xix, 380 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a data file
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|a Filmography
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|a Includes bibliographical references (pages 345-352) and index.
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|a Filmography: pages 353-365.
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|a Collaborating with Coppola / Walter Murch -- Artist in an industry -- Part I: Hollywood immigrant -- 1. Point of departure: The early films and screenplays -- 2. Going Hollywood: You're a big boy now and Finian's rainbow -- 3. Nightmares at noon: The rain people and The conversation -- Part II: The mature moviemaker -- 4. In a savage land: The Godfather -- 5. Decline and fall: The Godfather part II and The Godfather part III -- 6. The unknown soldiers: Apocalypse now, Apocalypse now redux, and Gardens of stone -- Part III: Artist in an industry -- 7. Exiled in Eden: One from the heart -- 8. Growing pains: The outsiders and Rumble Fish -- 9. Night life: The cotton club -- Part IV: The vintage years -- 10. The past as present: Peggy Sue got married and "Rip Van Winkle" -- 11. The disenchanted: Tucker: The man and his dream and New York stories -- 12. Fright night: Bram stoker's dracula -- 13. The vanishing hero: The rainmaker and Jack -- The state of the artist in the industry today.
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|a "Author Gene D. Phillips blends biography, studio history, and film criticism to provide the most comprehensive work available on Francis Ford Coppola. Phillips gained access to the reticent director and his colleagues and examined Coppola's private production journals and screenplays. He reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. Phillips also illuminates the details of the production history of the harrowing 238-day shoot of Apocalypse Now and explains how The Godfather was almost cast without the now iconic Marlon Brando."--Jacket
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a English.
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Coppola, Francis Ford,
|d 1939-
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|a Coppola, Francis Ford,
|d 1939-
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|a Coppola, Francis Ford,
|d 1939-
|2 fast
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|a Coppola, Francis Ford,
|d 1939-
|2 rasuqam
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|a Coppola, Francis Ford.
|2 swd
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Filmkunst.
|2 gtt
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|a Films.
|2 gtt
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|a Cinéma.
|2 rasuqam
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|a Biographie (Descripteur de forme)
|2 rasuqam
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|i Print version:
|a Phillips, Gene D.
|t Godfather
|z 0813123046
|w (DLC) 2003024590
|w (OCoLC)53398080
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5hk05s
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH37532355
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6746502
|
938 |
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|a EBSCOhost
|b EBSC
|n 671804
|
938 |
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|a Internet Archive
|b INAR
|n godfatherintimat00phil
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938 |
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|a Project MUSE
|b MUSE
|n muse32662
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|a YBP Library Services
|b YANK
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|a YBP Library Services
|b YANK
|n 11418862
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994 |
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