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Music in print and beyond : Hildegard von Bingen to the Beatles /

This collection of new studies explores the diverse ways in which music -- and ideas about it -- have been disseminated in print and other media from the sixteenth century onward. The chapters look afresh at the circulation of manuscript and printed music in the seventeenth to nineteenth centuries a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Monson, Craig (Craig A.) (Editor ), Marvin, Roberta Montemorra (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : Woodbridge, Suffolk : University of Rochester Press ; Boydell & Brewer Limited, 2013.
Colección:Eastman studies in music ; v. 105.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Eastman studies in music,  |x 1071-9989 ;  |v v. 105 
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505 0 0 |t Robert Granjon and music during the golden age of typography /  |r Kate van orden --  |t Publishing music theory in early cinquecento Venice and Bologna : friends and foes /  |r Bonnie J. Blackburn --  |t Preaching to the choir : arts of persuasion in the convents of Italy /  |r Craig A. Monson --  |t Music distribution in London during Handel's lifetime : manuscript copies versus prints /  |r Ellen T. Harris --  |t Beethoven's miniatures /  |r Lewis Lockwood --  |t "The beautiful and the ugly" : travel literature, racial theory, and a Schumann song /  |r Susan L. Youens --  |t Verdi's "music of the future" /  |r Roberta Montemorra Marvin --  |t The suspended voice of Amália Rodrigues /  |r Gabriela Cruz --  |t More than mostly Mozart : Teddy Wilson's "China boy" /  |r Paul S. Machlin --  |t Wanted dead and alive : historical performance practice and electro-acoustic music from IRCAM to Abbey Road /  |r Joseph Auner --  |t Lowinsky's secrets /  |r Bonnie Gordon --  |t The unknown Hildegard : editing, performance, and reception (an Ordo virtutum in five acts) /  |r Honey Meconi. 
520 |a This collection of new studies explores the diverse ways in which music -- and ideas about it -- have been disseminated in print and other media from the sixteenth century onward. The chapters look afresh at the circulation of manuscript and printed music in the seventeenth to nineteenth centuries and reach forward to the present by considering how rapidly changing technologies influence the realms of popular music and jazz. 
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