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Liszt's transcultural modernism and the Hungarian-gypsy tradition /

Some of Franz Liszt's most renowned pieces -- most famously his Hungarian Rhapsodies -- are written in a nineteenth-century Hungarian style known as verbunkos. Closely associated with the virtuosic playing tradition of the Hungarian-Gypsy band, the meaning and uses of this style in Liszt's...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Loya, Shay (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester : University of Rochester Press, 2011.
Colección:Eastman studies in music ; v. 87.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a Some of Franz Liszt's most renowned pieces -- most famously his Hungarian Rhapsodies -- are written in a nineteenth-century Hungarian style known as verbunkos. Closely associated with the virtuosic playing tradition of the Hungarian-Gypsy band, the meaning and uses of this style in Liszt's music have been widely taken for granted and presented as straightforward. Taking a novel transcultural approach to nineteenth-century modernism, Shay Loya presents a series of critiques and sensitive music analyses that demonstrate how the verbunkos idiom, rich and artful in itself, interacted in myriad way. 
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