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|a UAMI
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|a Performing gender, place, and emotion in music :
|b global perspectives /
|c edited by Fiona Magowan and Louise Wrazen.
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|a Rochester, NY :
|b University of Rochester Press ;
|a Woodbridge, Suffolk :
|b Boydell & Brewer Limited,
|c 2013.
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|c ©2013
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|a 1 online resource (vi, 208 pages) :
|b illustrations, maps.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
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|a data file
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|a Eastman/Rochester studies in ethnomusicology,
|x 2161-0290 ;
|v volume 5
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|a Includes bibliographical references and index.
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|t Introduction : musical intersections, embodiments, and emplacements /
|r Fiona Magowan and Louise Wrazen --
|t Engendering emotion and the environment in Vietnamese music and ritual /
|r Barley Norton --
|t Gendering emotional connections to the Balinese landscape : exploring children's roles in a Barong performance /
|r Jonathan McIntosh --
|t Performing emotion, embodying country in Australian aboriginal ritual /
|r Fiona Magowan --
|t Christian choral singing in aboriginal Australia : gendered absence, emotion, and place /
|r Muriel Swijghuisen Reigersberg --
|t Transforming the singing body : exploring musical narratives of gender and place in east Bavaria /
|r Sara R. Walmsley-Pledl --
|t A place of her own : gendered singing in Poland's Tatras /
|r Louise Wrazen --
|t Singing the contentions of place : Korean singers of the heart and soul of Japan /
|r Christine R. Yano --
|t "In our foremothers' arms" : goddesses, feminism, and the politics of emotion in Sámi songs /
|r Tina K. Ramnarine.
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|a While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the nexus between these three concepts from a cross-cultural perspective. Contributors consider ways in which locally produced musics emerge from and interact with particular structures of feeling while recognizing that the emotional terrains of musical performance are complex local, national, and global domains.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Music
|x Performance
|x Psychological aspects.
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|a Gender identity in music.
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|a Emotions in music.
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|a Musique
|x Exécution
|x Aspect psychologique.
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|a Identité de genre dans la musique.
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|a Cultural studies.
|2 bicssc
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|a Gender studies: women.
|2 bicssc
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a MUSIC
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|a MUSIC
|x Ethnomusicology.
|2 bisacsh
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|a Emotions in music.
|2 fast
|0 (OCoLC)fst01737434
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|a Gender identity in music.
|2 fast
|0 (OCoLC)fst00939609
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|
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|a Music
|x Performance
|x Psychological aspects.
|2 fast
|0 (OCoLC)fst01030403
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|a Gefühl
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|a Geschlechtsidentität
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|a Kulturvergleich
|2 gnd
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|a Musik
|2 gnd
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|a Electronic books.
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|a Magowan, Fiona,
|e editor.
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700 |
1 |
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|a Wrazen, Louise Josepha,
|d 1956-
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Performing gender, place, and emotion in music.
|d Rochester, NY : University of Rochester Press ; Woodbridge, Suffolk : Boydell & Brewer Limited, 2013
|z 9781580464642
|w (DLC) 2013024098
|w (OCoLC)824733796
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830 |
|
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|a Eastman/Rochester studies in ethnomusicology ;
|v v. 5.
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt31nh1d
|z Texto completo
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