Tragicomic redemptions : global economics and the early modern English stage /

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Valerie Forman contends that three seemingly unrelated domains--new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre--were together crucial to the formulation of a new and paradoxical way of thinking about los...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Forman, Valerie
Format: Électronique eBook
Langue:Inglés
Publié: Philadelphia : University of Pennsylvania Press, ©2008.
Sujets:
1500-1699
English drama > Early modern and Elizabethan, 1500-1600 > History and criticism.
Economics in literature.
Literature and globalization.
Literature and society > England.
Drama > Economic aspects > England.
Theater > Economic aspects > England.
Theater > England > History > 16th century.
Theater > England > History > 17th century.
Théâtre anglais > 16e siècle > Histoire et critique.
Économie politique dans la littérature.
Littérature et mondialisation.
Littérature et société > Angleterre.
Théâtre (Genre littéraire) > Aspect économique > Angleterre.
Théâtre > Aspect économique > Angleterre.
Théâtre > Angleterre > Histoire > 16e siècle.
Théâtre > Angleterre > Histoire > 17e siècle.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
Drama > Economic aspects
Economics in literature
English drama > Early modern and Elizabethan
Literature and globalization
Literature and society
Theater
Theater > Economic aspects
England
Criticism, interpretation, etc.
History
Accès en ligne:Texto completo
Table des matières:
  • Stasis and insularity in The merchant of Venice and Twelfth night
  • The voyage out: Pericles
  • Poverty, surplus value, and theatrical investment in The winter's tale
  • Captivity and "free" trade: Fletcher's The island princess and English commerce in the East Indies in the early 1600s
  • Balance, circulation, and equity in the "prosperous voyage" of The renegado
  • Webster's The devil's law-case, the limits of tragicomic redemption, and tragicomedy's afterlife.

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