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|a 016415905
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|a 791.43092
|2 23
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|a UAMI
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|a The cinema of Steven Soderbergh :
|b indie sex, corporate lies, and digital videotape /
|c Andrew deWaard & R. Colin Tait.
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|a London ;
|a New York :
|b Wallflower,
|c 2013.
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|a 1 online resource (xiv, 188 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Directors' cuts
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|a Includes bibliographical references (pages 177-185) and index.
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|a Includes filmography (pages 167-176).
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|g Machine generated contents note:
|g 1.
|t Dialectical Signature: Soderbergh as Classical Auteur /
|r Thomas Schatz --
|g 2.
|t Impresario of Indiewood: Soderbergh as Sellebrity Auteur /
|r Thomas Schatz --
|g 3.
|t Corporate Revolutionary: Soderbergh as Guerrilla Auteur /
|r Thomas Schatz --
|g 4.
|t Searching Low and High: The Limey and the Schizophrenic Detective /
|r Thomas Schatz --
|g 5.
|t Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective /
|r Thomas Schatz --
|g 6.
|t (B1)end of History: The Good German and the Intertextual Detective /
|r Thomas Schatz --
|g 7.
|t Genre and Capital: New Crime Wave in the 1990s /
|r Thomas Schatz --
|g 8.
|t Ethical Heist: Competing Modes of Capital in the Ocean's Trilogy /
|r Thomas Schatz --
|g 9.
|t Trafficking Social Change: The Global Social Problem Film in the 2000s /
|r Thomas Schatz.
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|a The industry's only director-cinematographer-screenwriter-producer-actor-editor, Steven Soderbergh is contemporary Hollywood's most innovative and prolific filmmaker. A Palme d'or and Academy Award-winner, Soderbergh has directed nearly thirty films, including political provocations, digital experiments, esoteric documentaries, global blockbusters, and a series of atypical genre films. This volume considers its slippery subject from several perspectives, analyzing Soderbergh as an expressive auteur of art cinema and genre fare, as a politically-motivated guerrilla filmmaker, and as a Hollywood insider. Combining a detective's approach to investigating the truth with a criminal's alternative value system, Soderbergh's films tackle social justice in a corporate world, embodying dozens of cinematic trends and forms advanced in the past twenty-five years. His career demonstrates the richness of contemporary American cinema, and this study gives his complex oeuvre the in-depth analysis it deserves.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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650 |
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|a Motion picture producers and directors
|z United States.
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|a Motion pictures
|z United States
|x History.
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|a Producteurs et réalisateurs de cinéma
|z États-Unis.
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|a Cinéma
|z États-Unis
|x Histoire.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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|a Motion picture producers and directors
|2 fast
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|a Motion pictures
|2 fast
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|a United States
|2 fast
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|a Electronic books.
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|a History
|2 fast
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|a DeWaard, Andrew.
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|a Tait, R. Colin.
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|z 0-231-16551-X
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|a Directors' cuts.
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|u https://jstor.uam.elogim.com/stable/10.7312/dewa16550
|z Texto completo
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|b DGIT
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