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Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000 /
Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In c...
| Call Number: | Libro Electrónico |
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| Main Author: | |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Edinburgh :
Edinburgh University Press,
[2013]
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| Series: | Traditions in world cinema.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- 1. Introduction: From immigrant cinema to national cinema
- 2. The (Maghrebi- )French connection: diaspora goes mainstream
- 3. Colonial fracture and the counter-heritage Film
- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche
- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s
- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s
- 7. Conclusion: Post-Beur Cinema.