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JSTOR_ocn850161570 |
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|a GBB996167
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|a 019406163
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|a 853311169
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|a 9781782041078
|q (electronic book)
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|a 1782041079
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|z (OCoLC)853311169
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|b JSTOR
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|a e-sp---
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|a PG2981.S7
|b P975 2013
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|a LIT
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|a 891.709003
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|a UAMI
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|a Purkey, Lynn C.,
|e author.
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|a Spanish reception of Russian narratives, 1905-1939 :
|b transcultural dialogics /
|c Lynn C. Purkey.
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|a Woodbridge :
|b Tamesis,
|c [2013]
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|c ©2013
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|a 1 online resource (203 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
|2 rda
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|a Colección Támesis. Serie A, Monografías ;
|v 318
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|a Includes bibliographical references and index.
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|a Introduction : towards a definition of nuevo romanticismo -- Dialogics through translations and travelogues -- The novel of consciousness : Gorky, Díaz Fernández, Arderíus and Benavides -- Utopia and dystopia : factory narratives -- The new woman and the Second Republic -- Pacifist and war prose -- Conclusion.
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|a "This book examines Spain's reception of Russo-Soviet literature and its relationship with Nuevo Romanticismo through the lens of Bakhtin's theories on the novel. Drawing upon theories on the novel in Bakhtin's Dialogic Imagination, this book examines Nuevo Romanticismo through the lens of Russo-Soviet littérature engagée. The term Nuevo Romanticismo originated in José Díaz Fernández's eponymous essay and has been applied to a group of writers who exemplified a rehumanization of the field of Spanish cultural production. In contrast with the dehumanized tendencies noted by Ortega y Gasset, writers César Arconada, Ramón J. Sender, and Lusia Carnés combined avant-garde aesthetics and a deep preoccupation with the human condition, creating a model of politically engaged art in part through transcultural dialogues with Russian literary models. This study explores the deep connection between Spanish and Russian narratives immediately before and during the Second Republic, as well as themes as relevant today as nearly a century ago: the ethics of war, the new woman, and responses to machine culture in the modern age. Lynn C. Purkey is an Associate Professor of Spanish at the University of Tennessee at Chattanooga."--
|c Provided by publisher.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Soviet literature
|x Appreciation
|z Spain.
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|a Russian literature
|x Appreciation
|z Spain.
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650 |
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|a Soviet literature
|x History and criticism.
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650 |
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|a Russian literature
|y 20th century
|x History and criticism.
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650 |
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|a Littérature soviétique
|x Appréciation
|z Espagne.
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|a Littérature russe
|x Appréciation
|z Espagne.
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650 |
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|a Littérature soviétique
|x Histoire et critique.
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|a Littérature russe
|y 20e siècle
|x Histoire et critique.
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|a LITERARY CRITICISM
|x Russian & Former Soviet Union.
|2 bisacsh
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|a LITERARY CRITICISM
|x American
|x Hispanic American.
|2 bisacsh
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650 |
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|a Russian literature
|2 fast
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|a Russian literature
|x Appreciation
|2 fast
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650 |
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|a Soviet literature
|2 fast
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|a Soviet literature
|x Appreciation
|2 fast
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651 |
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|a Spain
|2 fast
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648 |
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|a 1900-1999
|2 fast
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655 |
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|a Literary criticism
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Literary criticism.
|2 lcgft
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|a Critiques littéraires.
|2 rvmgf
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|i Print version:
|a Purkey, Lynn C.
|t Spanish reception of Russian narratives, 1905-1939.
|d Woodbridge : Tamesis, c2013
|z 185566254X
|w (OCoLC)851154327
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830 |
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0 |
|a Colección Támesis.
|n Serie A,
|p Monografías ;
|v 318.
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt2tt1zm
|z Texto completo
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938 |
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|a Internet Archive
|b INAR
|n spanishreception0000purk
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL1190551
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938 |
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|a EBSCOhost
|b EBSC
|n 531895
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|a 92
|b IZTAP
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